ISCM

C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

2017_01_Asian Instruments + 

Details

  • Category Number: 
    01
  • Category Name: 
    Asian Instruments +
  • Description: 

    Category 1a: Powell Street Festival
    http://www.powellstreetfestival.com/

    Powell Street Festival Society is dedicated to promoting Japanese-Canadian arts and culture, including intercultural explorations between Japanese-Canadian, Asian, and Asian-Canadian artists.

    Works for up to 4 players chosen from the following:
    Sho (Japanese mouth organ), flute (doubling piccolo, alto flute, and bass flute), piano, percussion (one player)
    Electronics welcome. If the electronics are pre-recorded, composers should submit stereo sound files along with their other performance materials. If the composition uses interactive electronics, the composer is required to provide all the hardware and software required to run the composition and may be required to be present at rehearsals and the performance. Priority will be given to works of 12 minutes or less.

    Category 1b: Red Chamber
    http://www.mei-han.com/redchamber.html

    Red Chamber straddles traditional and contemporary, whether it be ancient Chinese string band music seldom heard in the west, avant-garde compositions, bluegrass, or jazz fusion.

    Works for up to 7 players.
    Works must include 1 to 4 Chinese instruments chosen from the following:
    solo or any combination of zheng, pipa, ruan, sanxian
    with the possible addition of violin, viola, and/or cello
    Electronics welcome. If the electronics are pre-recorded, composers should submit stereo sound files along with their other performance materials. If the composition uses interactive electronics, the composer is required to provide all the hardware and software required to run the composition and may be required to be present at rehearsals and the performance. Priority will be given to works of 12 minutes or less.