C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

Magnusson, Thordur 




Composer Thordur Magnusson´

Belonging to the younger generation of Icelandic composers, Thordur Magnusson bears the fresh and audacious qualities of his generation, whilst unafraid to maintain ties with tradition, with his Icelandic as well as international musical heritage. Magnusson feels that the word traditional is in itself too negatively connoted in the world of modern music and that many composers shy away from any association with it and with the past , in their search for something absolutely new. He however welcomes making use of tradition and believes in good craftsmanship and that conventional writing for instruments can be a springboard for truly new sounds and challenging musical experience.
Thordur Magnusson's music is a colorful palette of impressions and nuances, demonstrating new and unforeseen sides although its material stems from a simple traditional concept, such as the [Icelandic] rhyme songs. Magnusson has the rare ability to compose and arrange music with many different harmonic constructions: be it traditional, jazz or postmodern. The composer´s music attests great musical passion and integrity.

Born in Reykjavik in 1973, composer Thordur Magnusson has already established himself as a composer of great distinction as well as sought after freelance arranger in the Icelandic contemporary music scene. In 1996 he took his degree in composition and theory at the Reykjavik College of Music, where he studied under the supervision of Gudmundur Hafsteinsson. He then received a Pierre Jacquillat grant to study at the Conservatoire de Paris in 1997, mainly under the supervision of renowned composer Emmanuel Nunes. Furthermore he has participated in the Young Nordic Music Festival in Helsinki in 1995 and in Copenhagen in 1996, as well as having attended seminars and lectures with Philippe Manoury and Magnus Lindberg, among others. Since his return to Iceland, Magnusson has pursued an auspicious career as a composer, alongside which, since 2002, he has taught composition, harmony, music history and counterpoint at the Reykjavik College of Music and the Gardabaer school of Music, to name a few.
Magnusson has received a myriad awards, nominations and grants, most notably in 2004 the nomination of the Nordic Council's Music Prize, the same year he won the Icelandic Music Awards for best classical piece of the year for his first "Symphony"; in 2003 the nomination for the Icelandic Music Awards for best classical piece of the year, for his "Piano Trio"; and in 2011 he was again nominated for his "Quartet for Clarinet, Violin, Cello and Piano" 2011 and again 2013 for his "Saxophponequartet". He was one of the finalist International Music Prize For Excellence In Composition 2011 in the expert level category, and has been attributed a grant from the Icelandic State artist fund for composers in 2004, 2006, 2008, 2010 and 2011.
Through the years, Magnusson has had a number of commissions from distinguished ensembles such as the Icelandic Symphony Orchestra, Trio Nordica, KaSa, Ethos String Quartet, the Icelandic Saxophone Quartet and the Icelandic Amateur Symphony Orchestra. Moreover, his compositions have been performed in various places of the world, from Scandinavia to New York, in France and in Tokyo, by ensembles such as CAPUT and the Quatuor Bozzini and the pianist Izumi Tateno.



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