ISCM

C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

Chen, Yi: Rhyme of Fire 

 

 

Basic information

 

Notes

  • Program notes: 

    Commissioned by the BBC with kind support from the K.T.Wong Charitable Trust, to mark the opening of the Beijing Olympics on August 8, 2008, my Rhyme of Fire for full orchestra looks forward to the London Olympics in 2012, evoking the image and spirit of the Olympic Fire and representing the idea of a meeting of cultures. The work is premiered at the BBC Proms 29 on August 8, 2008 by the Royal Philharmonic Orchestra, conducted by Maestro Leonard Slatkin, at the Royal Albert Hall in London.
    The music is energetic, bright and upbeat, in Chinese style and western orchestral idiom. Most of the major pitch materials came from China West folk music (Lusheng ensemble music 芦笙合奏 and folksong Dou Duo 兜朵 of Miao people 苗族, Duixie dance music 堆谐 and folksong Amaliehuo 阿玛勒火 of Tibetan 藏族, and so on). The orchestral timbre with pentatonic clusters matches the sound of Lusheng ensemble's chords (or those in bagpipe and jazz). The design of rhythmic patterns is borrowed from the Lusheng ensemble music and the Chinese folk percussion ensemble music, with fixed phrases in groups of instruments, and the recurrences of pitch materials played in all sections of codetta and coda.
    The work is written for full orchestra, in a complex three-part form with recapitulation, and the total length is about 11 minutes. The sections with pitch materials A and B are in the tempo of a quarter note equaling 132 per minute. C is in the tempo of a quarter note equaling 80 per minute. The percussion cadenza and the coda keep the fast tempo until the end.
    The sections with pitch material A have a motive in upward seesaw shape with big leaps in tuitti. The intervals are abstracted from Beijing Opera music. The sections with pitch material B are imitations of Lusheng (mouth-pipa organ, Chinese folk wind instrument) ensemble music, with bold melodic lines inspired by the folksong Dou Duo. The melodies in C are drawn from the folksong Amaliehuo played in multiple layers, with an ostinato constructed from the folk dance music Dui Xie, played on the piccolo or oboe, and xylophone or glockenspiel in the background. The percussion cadenza is led by the powerful timpani in the motive of A, while the orchestral responses sounding like a giant Lusheng ensemble, bringing the music to a climatic end.

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Instruments

Total number of musicians: 
27
Musicians1st player2nd player
Flute
2
C
C
Piccolo
Oboe
3
Oboe
Cor anglais
Clarinet
3
B-flat
B-flat
Bassoon
3
Bassoon
Contrabassoon
Horn (F)
4
Trumpet
3
C
C
Trombone
3
Tenor
Tenor
Tuba
1
Musicians1st player2nd player
Violin
2
Viola
1
Cello
1
Double Bass
1
4-string

 

 

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