Jury
Italo Gómez
Marek Kopelent
André Laporte
Wolfgang Rihm
Dieter Schnebel
Christian Wolff
Concerts
Saturday 14 May 1977, afternoon – «#1 Musik des langen Atems» (Music of the Long Breath: Chamber Music Concert I) in the Beethovenhalle Studio
Zoltán Jeney (Hungary, b. 1943; d. 2019): Quemadmodum for string quintet (1975; published in 1976 for string orchestra) [18′];
Maurice Weddington (Denmark, b. 1941; in the United States; now based in Germany): Seul, op. 38, for bass clarinet solo (1975) [15′];
Joan La Barbara (United States, b. 1947): A Wind/Tornado Piece/Cyclone (now known simply as Cyclone) – sound environment with amplified and electronic percussion, electric guitar, voices, suspended cymbal and a light-panning device (1977) [31′] [world premiere].
Saturday, 14 May 1977 (with additional performances on 16 and 17 May 1977) – Laser Perormance at the Kultur Forum, Bonn
Free Spectral Range IV (1977) a multimedia collaboration created expressly for the 1977 ISCM Festival consisting of the following components
Carson D. Jeffries (United States, b. 1922; d. 1995): Pacifica Electra for sound and image generating equipment;
Lowell Cross (United States, b. 1938): Laser Environment XVII performed by the composer;
? David Tudor (United States, b. 1926; d. 1996): Laserburst performed by the composer.
Saturday, 14 May 1977, evening «#2 Räume mit Stimmen – Stimmen des Innenraums» (Rooms with voices – voices of the interior: Choral Concert) in the Great Hall of the Beethovenhalle
Peter Michael Hamel (West Germany, b. 1947): Integrale Musik for voices, instruments, and fixed media electronic sounds (1976?);
Myriam Marbé (Romania, b. 1931; d. 1997): Ritual pentru setea pământului (Ritual for the Thirsty Earth) for seven voices and instruments (1968) [10′];
Jamary Oliveira (Brazil, b. 1944; d. 2020): Sanctus for 10 solo voices and 10 metronomes with bells and chorus (1971) [European premiere];
‘ Gerhard Rühm (Austria, b. 1930): the gentleness of rain was in the wind [text: Percy Bysshe Shelley] for three female and three male voices (1976);
André Van Belle (Belgium, b. 1943): Les sources transfigurées for vocal ensemble, vibraphone, and tam-tam;
” Giuseppe Sinopoli (Italy, b. 1946; d. 2001): Requiem Hashshirim for unaccompanied chorus (1976) [20′].
Sunday, 15 May 1977, afternoon – «#3 Musik des besonderen Klangs» (Music of special sound: Chamber Music Concert II) in the Beethovenhalle Studio
Karl Aage Rasmussen (Denmark, b. 1947): Genklang for grand piano 4-hands, prepared piano, mistuned piano, and celesta (1972) [22′];
Helen D. Standring (Australia, b. 1934; d. 1991): Jackson for bass/baritone (1975) [European premiere];
Hidenao Ito (Japan, b. 1933): Influx for string quartet [European premiere];
Mario Lavista (Mexico, b. 1943): Cluster for piano with any number of players (1973);
Mario Lavista: Piano Trio (No. 1) (1976) [10′] [European premiere];
Michaël Lévinas (France, b. 1949): Appels for seven winds, two percussionists, piano and double-bass (1974) [8′] conducted by the composer.
Sunday, 15 May 1977, evening – «Projekte mit Laien» (Projects with laymen: Music for children and with children I)
Hans Wüthrich (Switzerland, b. 1937; d. 2019): Kommunikationsspiele for variable ensemble (1973);
Hugh Davies (United Kingdom [England], b. 1943; d. 2005): Pieces for instruments built by schoolchildren;
Jean-Yves Bosseur (France, b. 1947): Jeux avec le Scriptoson.
? • Special concert from West-Berlin
works by
Wilhelm Dieter Siebert (Germany, b. 1931; d. 2011)
Dietrich Erdmann (Germany, b. 1917; d. 2009)
Isang Yun (Germany, b. 1917 in Korea; d. 1995)
Rolf Kuhnert (Germany, b. 1932)
Karl Heinz Wahren (Germany, b. 1933)
Frank Michael Beyer (Germany, b. 1928; d. 2008)
Wolfgang Steffen (Germany, b. 1923; d. 1993)
Joylon Brettingham-Smith (United Kingdom [England], b. 1949; d. 2008).
Monday, 16 May 1977 – «#4 Musik mit verfremdeten Klängen» (Music with alienating sounds: Chamber Music Concert III) in the Beethovenhalle Studio
Ariel Martinez (Uruguay. b. 1940; currently based in Argentina): Cabotaje IIIc for flute/piccolo/alto flute and fixed media electronic sounds (1971-76) [12′] [European premiere];
Mario Bertoncini (Italy, b. 1932; d. 2019): Chanson pour instruments à vent for 1 performer on aeolian instruments operated by compressed air (1974) [12′] performed by the composer;
? Wilfried Michel (West Germany, b. 1938; d. 1997): Kontrasignatur for double-bass and fixed media electronic sounds (1976) [world premiere];
Klaus Huber (Switzerland, b. 1924; d. 2017): Transpositio ad infinitum for solo violoncello (1976) [8′];
Karel Goeyvaerts (Belgium [Flanders], b. 1923; d. 1993): Ach Golgotha! for harp, organ and percussion (1975) [c.25′-35′].
Tuesday, 17 May 1977 evening – «Klavier-Abend» (Piano Evening) Maurizio Pollini in the Great Hall of the Beethovenhalle
Ludwig van Beethoven (Germany/Austria, 1770-1827): 33 Veränderungen über einen Walzer von Diabelli; op. 120 (1819-23) [55′];
Anton Webern (Austria, 1883-1945): Variationen, op. 27 (1935-36) [6′];
Karlheinz Stockhausen (West Germany, b. 1928; d. 2007): Klavierstück X (1954-61) [23′].
* Wednesday, 18 May 1977, afternoon – Rhein Excursion to Rolandseck – Concert at the Railway Station performed by Ensemble Odhecaton
Renaissance Music (?)
Wednesday, 18 May 1977, evening – #6 Orchestral Concert I presented in conjunction with SWF: SWF-Orchester Baden-Baden conducted by Ernest Bour in the Great Hall of the Beethovenhalle
D Hans-Jürgen von Bose (West Germany, b. 1953): Morphogenesis for large orchestra (1975) [19′];
Nikolaus A. Huber (West Germany, b. 1939): Gespenster [text: Bertolt Brecht] for large orchestra, singers/speakers and fixed media electronic sounds (1976) [17′] [world premiere];
Peter Schat (Netherlands, b. 1935; d. ): Houdini Symphony op 25b for four vocal soloists, chorus and orchestra (1976) [32′] [world premiere] featuring soprano Sarah Velden and tenor Jerold Norman;
Prior to the concert, there was a performance in the foyer involving a large cast and incorporating intermission sounds…
Tim Souster (United Kingdom [England], b. 1943; d. 1994): Triple Music IV (1974).
Thursday, 19 May 1977, afternoon – Music for Children and with Children II
O Horațiu Rădulescu (Romania, b. 1942; d. 2008): Fountains of my sky for 7 clarinets, pipe organ, and 42 children (1973) [30′];
?? O Chisako Shimizu (Japan, b. 1951): Yobikake (The Call).
Music for Children and with Children III:
?? O Iannis Xenakis (France, 1922 in Romania; d. 2001): Polyagogie.
Thursday, 19 May 1977, evening «All-Klangraum» (All sound room) – music on stage
O Richard Feit/Richard Shaer (United States): Orange Air [world premiere];
Otto M. Zykan (Austria, b. 1935; d. 2006): Peripathetisches zur Lage for solo speaker;
Piotr Lachert (Poland 1927; d. 2018): Dentist Music for voice, tapes, action, and dental devices (1976) [16′];
Gavin Bryars (United Kingdom [England], b. 1943): The Sinking of the Titanic for ensemble and projections (1969-72) [25′].
Friday, 20 May 1977, afternoon – «#7 Erzählende Musik» (Narrative music: Chamber Music Concert IV) in the Beethovenhalle Studio
Danilo Lorenzini Terzi (Italy, b. 1952): Concerto for Piano and Orchestra with soprano voice (1976) [20′];
Stephanos Vassiliadis (Greece, b. 1933; d. 2004): Kouklokosmos (Doll World) for fixed media electronic sounds (1973) [10′];
Jukka Tiensuu (Finland, b. 1948): Solo for piano and live electronics (1976) [21′] performed by the composer;
János S. Darvas (Germany, b. 1948 in Chile): Hörfilm, an audiovisual environment for fixed media electronic sounds, multivision, and headphones (1977) [world premiere].
Friday, 20 May 1977, evening – «#8 Reflexionen» (Reflections Orchestra Concert II presented in conjunction with Saarland) Sinfonie Orchester des Saarland, Rundfunks Saarbrücken conducted by Hans Zender in the Great Hall of the Beethovenhalle
D Wolfgang von Schweinitz (West Germany, b. 1953): Variations on a Theme by Mozart, op. 12, for orchestra (1976) [12′] [world premiere];
D Robert Saxton (United Kingdom [England], b. 1953): Reflections of Narziss and Goldmund for two chamber orchestras, harp, piano and celesta (1975) [12′];
* Roland Moser (Switzerland, b. 1943): ding for orchestra (1973) [6′];
” Helmut Lachenmann (West Germany, b. 1935): Accanto for clarinet and orchestra with fixed media electronic sounds (1975-76) [26′].
Saturday, 21 May 1977 – «#9 Schlüsselkompositionen der 50er Jahre» (Key compositions of the ’50s: Guest concert of WDR Cologne) Kölner Rundfunk-Sinfonie-Orchester conducted by Michel Tabachnik in the Great Hall of the Beethovenhalle
Karlheinz Stockhausen (West Germany, b. 1928; d. 2007): Punkte for orchestra (1952, revised 1962) [19′];
Pierre Boulez (France, 1925; d. 2016): Don, movement one from Pli selon pli [text: Stéphane Mallarmé] for soprano and orchestra (1960-62; revised 1989) [15′]
John Cage (United States, b. 1912; d. 1992): Concert for Piano and Orchestra (1957-58) [indeterminate duration];
Luigi Nono (Italy, b. 1924; d. 1990): Il Canto sospeso for voices, chorus and orchestra (1955/56) [28′].
” Pauline Oliveros (United States, b. 1932; d. 2016): Bon(n) fire a.k.a. Bonn Feuer, an intermedia piece for indeterminate numbers of performers (1977) [world premiere].
The following additional works had been programmed for the festival but were not performed
Mesías Maiguashca (West Germany, b. 1938 in Ecuador): Per Fiati for winds, two accordions and percussion (1975);
David Lumsdaine (Australia, b. 1931; d. 2024 in the United Kingdom [England]): Sunflower for small orchestra (1975) [20′];
Peter Kofroň (Czechoslovakia, b. 1955): Der Engel for orchestra in 72-tone equal temperament (1976) [10′];
Francesco Caruccio (Italy, b. 1953): Suite d’Orfeo for female voice and orchestra;
Frederic Rzewski (Belgium [Wallonia], b. 1938 in the United States; d. 2021 in Italy): Les Moutons de Panurge for orchestra (instrumentation in score is variable) (1969);
Hubert Stuppner (Italy, b. 1944): Historia Naturalis for soprano, mezzo-sopran0, vocal sextet, 2 flutes, 2 percussionist and dancer/mime (1976) [50′].
Significant interpreters
Sopranos: Michaela Krämer, Gaby Ortmann-Rodens, Elise Ross.
Mezzo-sopranos: Helga Hamm-Albrecht, Dietburg Spohr, Janet Cobb.
Tenors: Helmut Clemens, Wolfgang Fromme, Nigel Rogers.
Bass-Baritoness: Hans-Alderich Billig, William Pearson.
Piano: Doris Thomsen, Deborah Richards, Werner Füsser, Herbert Henck, John McGuire, Rosemarie Zartner, Claude Helffer.
Flute: Karl-Bernhard Sebon.
Clarinet: Gerhard Brunner, Harry Sparnaay.
Percussion: Toni Roeder, Gerold Schulz.
Organ: Gerhardt Blum.
Harp: Siegrid Reiff.
Violoncello: Klaus Heitz.
Double-bass: Wolfgang Güttier, Klaus Holtmann.
Ensembles: Bonner Streichquartett, Improvisationsgruppe Between, Bonner Ens. für Neue Musik, Streichquartett der Gruppe Neue Musik Berlin, Studio Neue Musik Berlin, collegium musicum der Universität Bonn.
Choruses: NDR-Chor Hamburg, Collegium Vocale Köln, Chor der Niederl. Rundfunkstiftung Hilversum, Kölner Rundfunkchor.
Conductors: Helmut Franz, Werner Hagen, Bernhard Lang (?)
Sources
Anton Haefeli, Die Internationale Gesellschaft für Neue Musik (IGNM), Ihre Geschichte von 1922 bis zur Gegenwart (Atlantis Musikbuch-Verlag, 1982), pp. 538-540 [in German].
Hubert S. Howe, “The 1977 ISCM World Music Days,” The World of Music, Vol. 19, No. 3/4 (1977), pp. 189-190 [available online via JSTOR].
Dietmar Polaczek, “Bonn, Beethoven und die Neue Musik,” Österreichische Musikzeitschrift, Volume 32 Issue JG (1 December 1977), pp. 354-355 [available online via De Gruyter; in German].
Nicolas Slonimsky, Music Since 1900, Sixth Edition edited by Laura Kuhn (Schirmer Reference, 2001), pp. 686-687.
(annotated by Frank J. Oteri, in progress)