1999 Romania and Moldova
Sep 25, 1999 – Oct 8, 1999
Bucharest, Cluj-Napoca, Chisinau, Bacau, Iași, Timișoara
Festival info
Start: Sep 25, 1999
End: Oct 8, 1999
Locations: Bucharest, Cluj-Napoca, Chisinau, Bacau, Iași, Timișoara
Hosting member(s)
From contemporaneous reviews of the festival
“[T]he ISCM Festival in Romania and Moldavia … marks a turning point – in scholarly jargon “a change in paradigms” – in the international relations of the more than forty countries throughout Europe, America, and Asia, in which the ISCM is active: specifically, at least a partial change in one of the central elements in carrying out a festival and its program. This was the first ISCM Festival in which the International Jury for the selection of its program – that is, dispensed with it legitimately. For in the course of several years, the Romanian section had propagandized the idea of an unjuried festival and worked to create the necessary majority in favour of the idea among ISCM members in order to alter the official organizational Rules of Procedure.
“[The Festival] exhibits a group of characteristics that clearly distinguish it from other ISCM Festivals. First there is the surprisingly high interpretational quality of the large orchestras, ensembles, and soloists in the country.”
– Reinhard Oehlschlägel, “For the First Time: Unjuried”
World New Music Magazine, Issue #10 (September 2000), pp. 67, 71.
“[T]he complete program of concerts totalled two hundred and one works of [a] hundred and seventy-five composers from forty-nine countries … The concert schedule was quite dense (sometimes suffocating, turning into marathon-like concerts lasting until very late in the night), thirty-nine performances and recitals were grouped and disposed in twenty-nine concerts of which seven were symphonic; three were for chamber orchestra, fourteen were chamber music, there were electro-acoustic and multi-media concerts; in addition, there was one choir concert and one instrumental theatre performance.”
– Cristian Marina, “‘Searching for Dracula’s Castle’ – Unfinished”
World New Music Magazine, Issue #10, p. 64.
Nicolae Brînduş, artistic director. Unjuried.
Concerts
Saturday, 25 Sept 1999, 19:30 at the Romanian Athenaeum, Bucharest
George Enescu Philharmonic Orchestra conducted by Cristian Mandeal
Peter Tornquist (Norway, b. 1963): Acalanto (1994) [10′];
Zygmunt Krauze (Poland, b. 1938): Piano Concerto No. 2 (1996) [32′] performed with the composer at the piano;
Bent Sørensen (Denmark, b. 1958): Symphony (No. 1) (1995-96) [22′];
Lojze Lebič (Slovenia, b. 1934): Cantico I (1997) [16′].
(NOTE: Slonimsky’s Music Since 1900 does not list Sørensen’s symphony here and instead includes it on a subsequent concert, the 27 Sept performance by the Radio Chamber Orchestra. But in addition to being listed in the festival program book on the program for this opening concert, it was also mentioned as being part of this program in Reinhard Oehlschlägel’s review of the festival for the ISCM’s World New Music Magazine, so it was indeed on this concert. Slonimsky also lists an additional work on this program that is not listed anywhere else:
Theo Brandmüller (Germany, b. 1948; d. 2012): Chimères for saxophone quartet and orchestra (1995) [24′] with the Raschèr Saxophone Quartet).
Sunday, 26 Sept 1999, 17:00 at Auditorium Hall, Bucharest
Pro Contemporania conducted by Iurie Florea
Walter Schraeyen (Belgium [Flanders], b. 1957): Illusion of Time for bass clarinet, cello, and piano;
Vladimir Scolnic (Israel, b. 1947 in Ukraine): Intimacy for trumpet and cello (1998) [9′];
Theo Loevendie (Netherlands, b. 1930): Aksak for violin and piano (1997) [4′];
Jean-Luc Darbellay (Switzerland, b. 1946): A la recherche… for either 6 (Pierrot plus percussion) or 13 players (?) (1994) [12′];
Thomas Beimel (Germany, b. 1967; d. 2016): L’arrivée à Cythère for alto flute and percussion (1998) [12′];
Gabriel Valverde (Argentina, b. 1957): Terra incognita for string trio and electronic tape (1992-97) [17′].
Sunday, 26 Sept 1999, 19:30 at Radio Symphony Orchestra Hall, Bucharest
Virtuosi Chamber Orchestra conducted by Horea Andreescu
Jukka Koskinen (Finland, b. 1965): Ululation for chamber orchestra (1994) [14′];
Hwang-Long Pan (Taiwan, b. 1945): Concerto for Cello and Chamber Orchestra (1996/97) [17′] featuring Anca Vartolomei, cello;
Alfredo Rugeles (Venezuela, b. 1949): Sinfonola for chamber orchestra (1988) [24′];
Ștefan Niculescu (Romania, b. 1927; d. 2008): Undecimum for small orchestra (1998) [17′].
Sunday, 26 Sept 1999, 22:00 – Multimedia I at ARCUB, Bucharest
Meta Duo with Daniel Kientzy, saxophones, and Reina Portuondo, electronics
Jean-Claude Risset (France, b. 1938; d. 2016): Saxatile for soprano saxophone and computer (1992) [8′];
Anatol Vieru (Romania, 1926-1998): Pulsions en souffle continu for alto saxophone and electronics (1994) [2′];
Elżbieta Sikora (Poland, b. 1943): Lisboa, tramway 28 for saxophone (soprano, alto, tenor) and tape (1998) [14′];
Jorge Antunes (Brazil, b. 1942): Rituel Violet for tenor saxophone and tape (1999) [6′];
James Giroudon (France, b. 1954) and Jean-François Estager (France, b. 1949; in Canada): Noir, trois neiges d’un paysage for saxophone and electronics (1999) [12′];
Gilles Racot (France, b. 1951): Itée for saxophone and electronics (1988) [4′].
Bizarmonia – Instrumental Theatre – Pro se Nova
(Lucia Florescu, Dominic Csergo, Flavius Trif, Marius Popescu, Laurentia Barbu)
featuring music by Nicolae Brînduş (Romania, b. 1935) and choreography by Raluca Ianegic
(directed by Alexandru Tocilescu)
Monday, 27 Sept 1999, 17:00 at Auditorium Hall, Bucharest
Aperto Ensemble
Alexander Litvinovsky (Belarus, b. 1962): Ul for string quintet (1993) [10′];
Aliocha Solovera Roje (Chile, b. 1963): Ciclos for string quartet (1997) [7′];
Egon Krák (Slovakia, b. 1958): Spiritus tuus in nobis for string quartet (1995) [12′];
Edvard Schiffauer (Czech Republic, b. 1942): The Realing-Up (1989) [11′];
Michal Macourek (Czech Republic, b. 1972): About Time [9′].
Game conducted by Alexandru Matei, in Bucharest
Clarence Mak (China [Hong Kong], b. 1959): Morning Hill for temple bells & percussion ensemble (1995 or before?);
Eduardo Soto Millán (Mexico, b. 1956): No tocar for solo percussion and electronics (1997) [6-8′];
David Clark Little (Netherlands, b. 1952 in the United States; now back in the USA): Digital signals for 3 percussionists & fixed media (1996);
Tiberiu Olah (Romania, b. 1928; d. 2002): Time and Space (part 4 from the cycle Brâncuși) for 3 percussion groups (1964).
Monday, 27 Sept 1999, 19:30 at Radio Symphony Orchestra Hall, Bucharest
Radio Chamber Orchestra conducted by Cristian Brâncuşi
Thomas Simaku (England, b. 1958 in Albania): Canticello for violoncello and orchestra (1997) [15′] – Andrei Kivu, violoncello;
Ernstalbrecht Stiebler (Germany, b. 1934): Intervall 19 for 10 winds, 8 strings, and percussion (1996-97) [15′];
Karmelia Tsepkolenko (Ukraine, b. 1955): Parallels for chamber orchestra (1990) [23′].
Children’s Choir of the Arts School Octav Băncilă (Iași) with Ensemble La Camerata conducted by Jorge Antunes and Doru Morariu in Bucharest
Jorge Antunes: Rimbaudiannisia MCMXCV for children’s chorus, child soloist, 2 sopranos, 1 mezzo-soprano and chamber orchestra (1994/95) [9′].
Tuesday, 28 Sept 1999, 17:00 at Auditorium Hall, Bucharest
Archaeus Contemporary Music Workshop conducted by Liviu Danceanu
Ulpiu Vlad (Romania, b. 1945): The Legend of Dreams for flute, oboe, clarinet, bassoon, violin, cello, piano, and percussion (1994);
Adina Izarra (Venezuela, b. 1959): Retrato de Macondo for clarinet, bassoon, and piano (1997) [10′];
Ghenadi Ciobanu (Moldova, b. 1957): Sound Etudes for chamber ensemble (1995) [14′];
Jocelyn Morlock (Canada, b. 1969): Bird in the Tangled Sky for clarinet, violin, violoncello, and piano (1997) [15′];
Takuo Kochi (Japan, b. 1963): Dancing to my Spirit for violin, piano, and percussion (1997) [19′].
Repertorium Ensemble
(Inna Oncescu and Mihai Vartosu, piano; Adina Radu and Christiana Budescu, percussion)
Ari Ben-Shabetai (Israel, b. 1954): Hora for two pianos and two percussion (1997) [12′];
Satoshi Ohmae (Japan, b. 1943): In the Memories for two pianos and percussion (1982) [10′];
Jesús Torres (Spain, b. 1965): Masques for two pianos (1996) [13′];
Jason Eckardt (United States, b. 1971): Echoes’ White Veil for solo piano (1996) [12′].
Tuesday, 28 Sept 1999, 19:30 at Radio Symphony Orchestra Hall, Bucharest
National Radio Symphonic Orchestra and Choir conducted by Ludovic Bacs
Theodor Grigoriu (Romania, b. 1926; d. 2014): Vocalises of the Sea (1984-92) [23′];
Ismail Gajibekov (Azerbaijan, 1919-1974): Concerto for flute and string orchestra [20′] featuring Pierre Yves Artaud, flute;
Per Mårtensson (Sweden, b. 1967): Violin Concerto with 13 winds and electronics (1996-97) [20′] featuring Fredrik Burstedt, violin.
(NOTE: Slonimsky’s Music Since 1900 additionally lists Sørensen’s Symphony as part of this program, but it appeared on the opening concert as per the note above.)
Tuesday, 28 Sept 1999, 22:00 at the UCMR Concert Hall, Bucharest
Dieter Kaufmann (Austria, b. 1941): Paganihilismo for violin (1997?) [11′];
Ros Bandt (Australia, b. 1951): Thrausmata for 2 amplified text readers, voice, Renaissance recorder, slide whistle, psaltery, sampler, vocoder, Fairlight (1997) [24′];
Lubomir Mitzev (Bulgaria, b. 1948; d. 2005): Synthyphonye for computer-generated sound (1996-96) [14′] *;
Jøran Rudi (Norway, b. 1954): When Timbre Comes Apart for DVD, projection, and computer sound (1992-95) [17′];
Anders Blomqvist (Sweden, b. 1956): Löpa Varg for fixed media (1995) [11′].
(* NOTE: The program book for the festival lists Mitzev’s Synthyphonye on a concert the following day, 29 Sept, and instead lists Natasha’s Barrett’s Earth Haze on this 28 Sept concert. But according to Slonimsky’s Music Since 1900, Mitzev’s composition was featured on this program and Barrett’s work was featured the following day.)
Wednesday, 29 Sept 1999, 17:00 at Music Academy Hall, Cluj-Napoca
Trio Contraste with guest Andrei Deleanu, piano
Srđan Hofman (Serbia, b. 1944): Duel for piano and live electronics (1996) [12′];
Mario Mora Lopez (Chile, b. 1967): Sax for alto saxophone and fixed electronics (1995) [8′];
Melinda Wagner (United States, b. 1957): Wing and Prayer for clarinet, cello, piano, and percussion (1996) [12′];
Erkart Beinke (Germany, b. 1956): Introversion III for saxophone (alto & baritone), piano, and percussion (1989-92) [14′].
Cluj-Napoca Percussion Ensemble conducted by Grigore Pop
Cergio Prudencio (Bolivia, b. 1955): A la Sombra de la Higuera for 4 percussionists (1996/97) [16′];
Roberto Victorio (Brazil, b. 1959): Letha for 2 percussionists (1997) [10′];
Gabriel Iranyi (Israel, b. 1946 in Romania): Triplum I for 3 percussionists (1994) [10′];
Ignacio Baca Lobera (Mexico, b. 1957): Fase II for 4 percussionists (1995-96) [12′];
Jer-Huei Chen (Taiwan): As? (Sìbùxiàng) for solo percussion [8′];
Tapio Tuomela (Finland, b. 1958): PULS for 5 percussionists (1997 rev 2000) [10′].
Wednesday, 29 Sept 1999, 21:30 at Gheorghe Dima Music Academy Hall, Cluj-Napoca
Christina Muresan, piano and Florin Ghic, electronics,
János Decsényi (Hungary, b. 1927): Do you remember the chirping of crickets? for piano & magnetic tape (1996) [18′];
Joakim Sandgren (Sweden, b. 1965; currently based in France): Morfe Technes for computer generated sound (1994-96) [11′];
Yasuhiro Takenaka (Japan, b. 1951): Trail of Tears for computer-generated sound [14′];
Natasha Barrett (Norway, b. 1972 in England): Earth Haze for stereophonic acousmatic sound (1996) [14′];
Tamami Tono (Japan): Dinergy 2 for shō and live computer sound (1997) [13′] featuring the composer playing shō.
(* NOTE: See note under the 28 Sept concert regarding the discrepancy between the program book for the festival and the repertoire as listed in Slonimsky’s Music Since 1900, which switches Barrett’s composition with Mitzev’s Synthyphonye which was originally scheduled to be featured on this program.)
Thursday, 30 Sept 1999, 17:30 at Gheorghe Dima Music Academy Hall, Cluj-Napoca
Antifonia Choir conducted by Constantin Rîpă
Marcella Mandanici (Italy, b. 1958 in Switzerland): Madrigale for 8 female voices, actress, percussion, and electronics (1995) [15′ (or 20′)];
Miguel Bellusci (Argentina, b. 1958): Gesualdo for five singers and electronics (1994-95, rev. 1998) [7′];
Mikko Heiniö (Finland, b. 1948): Non-Stop for mixed choir (1995) [12′];
Richard Tsang (China [Hong Kong], b. 1952): Little Chamber Music for vocal quartet (SATB) and piano (1997) [10′];
Pippo Molino (Italy, b. 1947): Coro Primo for soprano, alto, baritone and instrumental ensemble (1985) [8′];
Nicolae Teodoreanu (Romania, b. 1962): Strigare (Callings) for 8 solo voices (1995) [10′];
Caroline Wilkins (Australia, b. 1953): Auroram Lucifer (1993) [12′];
Knut Nystedt (Norway, b. 1915; d. 2014): Miserere for 16 unaccompanied voices (1993) [12′];
Jorge Córdoba (Mexico, b. 1953): 7 Haiku for mixed chorus (1992) [5′];
Vasile Herman (Romania, b. 1929; d. 2010): Viersuri de dor (Verses of Longing) for mixed chorus (1971) [8′];
Constantin Rîpă (Romania, b. 1938): Uvedenrode [text by Ion Barbu] [6′].
Thursday, 30 Sept 1999, 20:00 at Gheorghe Dima Music Academy Hall, Cluj-Napoca
Ars Nova Chamber Orchestra conducted by Cornel Ţăranu
Rebecca Saunders (England, b. 1967): Into the Blue for clarinet, bassoon, percussion, piano, cello and doublebass (1996) [13′];
Kjartan Ólafsson (Iceland, b. 1958): Nonet (1995) [6′];
Michelle Boudreau (Canada, b. 1956): Fern and E. Green: ‘A’ Miniature (1997) [4′];
Cornel Ţăranu (Romania, b. 1934; d. 2023): Oreste-Oedipe (part one from the opera in progress, libretto by Olivier Apert) (1999) [14′] with vocal soloists Gheorghe Roșu, Marius Budoiu, Gheorghe Petian, and Flavius Trif [world premiere];
Vladimir Beleaev (Moldova, b. 1955): Quintett No. 3 for oboe, bassoon, violin, cello, and percussion (1997);
Ricardo Zohn Muldoon (United States, b. 1962 in Mexico): De Tierra for tenor and ensemble (1996) [5′];
Fernand Vanderbogaerde (France, b. 1946): Quatuor de trios for 12 instruments (1991) [14′].
Friday, 1 October 1999, 17:00 at Gheorghe Dima Music Academy Hall, Cluj-Napoca
Traiect conducted by Sorin Lerescu
Graciela Paraskevaídis (Uruguay, b. 1940 in Argentina; d. 2017): libres en el sonido presos en el sonido for flute (+ alto flute), clarinet, violin, cello, and piano (1997) [11′];
Eve Duncan (Australia, b. 1956): Ariel for timpani and piano (1997) [7′];
Menachem Zur (Israel, b. 1942): Discussions 3 for flute and piano (1994) [12′];
Jurgis Juozapaitis (Lithuania, b. 1942): Segles for solo flute (1995) [7′];
Octavian Nemescu (Romania, b. 1940; d. 2020): Spectacle, pour un instant for piano, variable ensemble, and tape (1974) [2′].
Andrei Tănăsescu and Scott Tinley, pianos with additional guest pianist Camelia Goila
Leonardo Coral (Mexico, b. 1962): Piano Sonata no. 4 (1997);
Gheorghi Arnaoudov (Bulgaria, b. 1957): Le Temple du Silence for two pianos (1996);
Makoto Shinohara (Japan, b. 1931; d. 2024): Undulation A for solo piano (1996);
Juan Felipe Silveira (Uruguay, b. 1957; d. 2009): Let’s play for solo piano (1996);
Robert Zuidam (Netherlands, b. 1964): For Two Pianos (1996) [9′];
Richard Emsley (England, b. 1951): For piano I (1997) [4′];
Paweł Mykietyn (Poland, b. 1971): Epiphora for piano and tape (1996) [19′];
Anastasios Vassiliadis (Greece, b. 1955): Prosegisi II for piano four-hands (1998) [8′].
Friday, 1 October 1999, 19:30 at Philharmony Orchestra Cluj Hall, Cluj-Napoca
Transylvania Philharmonic conducted by Remus Georgescu
Marcel Wengler (Luxembourg, b. 1946): Violin Concerto (1997) [17′] featuring Dorina Mangra, violin;
Dubravko Detoni (Croatia, b. 1937): Piano Concerto (1989) [19′] featuring Kiraly Csaba, piano;
John Buckley (Ireland, b. 1951): Concerto for Alto Saxophone and String Orchestra (1997) [18′] featuring Emil Sein, alto saxophone;
Doina Rotaru (Romania, b. 1951): Concerto No. 3 ‘Magic Circles’ for flutes and orchestra (1997) [22′] featuring Pierre Yves Artaud, flutes;
June-Hee Lim (South Korea, b. 1959): Altaic Ritual (1998) [14′] world premiere *.
(*NOTE: Lim’s work is not included in the program listing for this concert in Slonimsky’s Music Since 1900. However, it not only appears in the printed program for the festival, it is listed on the composer’s website as a world premiere performance.)
Sunday, 3 October 1999, 20:00 at Philharmonic Orchestra Hall, Chisinau
Moldavian National Philharmonic Orchestra conducted by Valentin Doni
Dmitry Kitsenko (Moldova, b. 1950 in Ukraine; now based in Canada): Simfonia Asteptarii (The Symphony of Waiting) a.k.a. Symphony No. 4 [10′];
Sorin Lerescu (Romania, b. 1953): Modalis II – Concerto for flute and orchestra (1986) [22′] featuring Virgil Franku, flute;
Vasile Zagorschi (Moldova, b. 1926 in Ukraine; d. 2003): Stante (Stanzas) (1996);
Jie-sun Lim (South Korea): Echo for string orchestra (1997);
Ghenadie Ciobanu (Moldova, b. 1957): Moment bacovian for piano and orchestra (1998) [10′] featuring Sergiu Helioglu, piano.
Monday, 4 October 1999, 18:00 at Moldavian National Philharmonic Organ Hall, Chisinau
Richard Causton (England, b. 1971): The Persistence of Memory for an ensemble of 12 musicians (1995) [12′];
Paavo Heininen (Finland, b. 1938): Reality for soprano and 10 instrumentalists (1978) [30′];
Zaur Fahradov (Azerbaijan, b. 1965): Dialects [13′];
Calimério Soares (Brazil, b. 1944; d. 2011): Toccata Longa for solo organ (1992) [8′];
Sueya Wang (Taiwan, b. 1965): Evening for soprano and small ensemble (1999) [8′];
Chan Ka Nin (Canada, b. 1949 in Hong Kong): Par-ci, par-là for an ensemble of 16 musicians (1996) [16′].
Monday, 4 October 1999, 18:00 at Athenaeum Hall, Bacau
Game Ensemble
Carmen Verdú (Spain, b. 1962): Danza del dahina for percussion trio (1999) [8′];
Dieter Acker (Germany, b. 1940 in Romania; d. 2006): Relief I, II for piano and percussion (1999);
Jane O’Leary (Ireland, b. 1940 in the United States): A Silver Thread for violin and percussion (1988) [8′];
Dan Dediu (Romania, b. 1967): Concerto for piano and 5 percussion groups (1999) – Dan Dediu, piano [world premiere];
Liviu Dănceanu (Romania, b. 1954; d. 2017): L’abîme de Pascal;
Tomás Marco (Spain, b. 1942): Necronomicon for percussion sextet (1971) [21′].
Tuesday, 5 October 1999, 18:00 at Athenaeum Hall, Bacau
(additional performers include Archaeus Ensemble and Game Ensemble)
Liviu Danceanu: Micro-pseudo-requiem;
James Giroudon: Double I for clarinet and fixed media (1985) [14′] featuring Vasile Mocioc, clarinet;
Dan Dediu: Idile şi Guerrille for piano 4-hands (1999) [16′] – Valentina Sandu-Dediu and Dan Dediu, piano;
Dieter Acker: Trio (? could be one of eight Acker compositions);
Tomás Marco: String Quartet No. 4 ‘Los desastres de la guerra’ (1996) [16′] – Florilegium Quartet (Marius Lacraru and Marius Baclea, violins; Lasislau Csendes, viola; Anca Vartolomei, cello);
Daping Qin (Finland, b. 1957 in China): String Quartet – Florilegium Quartet;
Carmen Verdú: Sombra de Alilanto for string quartet (1995) [14′] – Florilegium Quartet.
Tuesday, 5 October 1999, 18:00 at Organ Hall, Chisinau
Traiect conducted by Sorin Lerescu
James Clarke (England, b. 1957): Delirium for flute, clarinet, violin, cello, piano and percussion (1996) [7′] *;
Karólína Eiríksdóttir (Iceland, b. 1951): Skýin (Clouds) for solo violoncello (1995) [12′];
Dmitry Lybin (Belarus, b. 1963): Reflections of the Sun in the Water for flute, piano, and temple block;
Ian Wilson (Northern Ireland, b. 1964): Piano Trio No. 3 ‘Catalan Tales’ (1996) [23′];
Leontios Hadjileontiadis (Greece, b. 1966): Wavelets;
Octavian Nemescu (Romania, b. 1940; d. 2020): Spectacle, pour un instant for piano, variable ensemble, and tape (1974) [2′].
(* NOTE: James Clarke’s composition was subsequently retitled 1996-E and has been also incorporated into his 2001 Chamber Symphony in which it is the first of four movements.)
Wednesday, 6 October 1999, 18:00 at Athenaeum Hall, Bacau
Archaeus Ensemble with soprano Adriana Cioaba
Dan Dediu: Gothic Concerto, op. 65 for 7 instruments {ob, cl, bn, vn, vc, pf, perc} (1997) [40′];
Vittorio Fellegara (Italy, b. 1927; d. 2011): Wintermusic for violin, cello, and piano (1983) [8′];
Liviu Danceanu: History 2 (1998);
Carmen Verdú: Lorna (1996) [8′];
Yuri Kasparov (Russia, b. 1955): Light and shade–setting off – Chamber Symphony No. 3 for 7 players (1999) [12′];
James Giroudon: Traces for soprano and fixed media (1988) [20′];
Jane O’Leary: Duo for alto flute and guitar (1995) [9′];
Dieter Acker: Septet {ob, cl, bn, vn, vc, pf, perc} (1994).
Wednesday, 6 October 1999, 19:00 at Philharmonic Hall, Chisinau *
Ars Poetica Ensemble of Chisinau
Jarmo Sermilä (Finland, b. 1939): Music to an Unshot Motion Picture {ob, cl, bn, vn, vc, pf, perc} (1997) [9′];
Iulian Gogu (Moldova, b. 1966): Expectation;
Karlheinz Essl (Austria): Deviation for flute, clarinet, violin, cello, piano and percussion (1993) [14′];
Pavel Rivilis (Moldova, b. 1936 in Ukraine; d. 2014): Piano Sonata – Julia Rivilis, piano;
Luca Belcastro (Italy, b. 1964): Las Mariposas bailan…en la nada {fl, cl, vn, vc, pf} (1997) [7′];
Oleg Palymski (Moldova, b. 1966 in Russia): Concerto No. 2 (1999).
(??? NOTE: Slonimsky lists this concert as taking place in Philharmony Hall, Iași.)
Thursday, 7 October 1999, 18:00 at Philharmony Hall, Bacau
Mihail Jora Philharmonic conducted by Ovidiu Balan
Vittorio Fellegara (Italy): Primo vere for piano and orchestra (1998–99) [10′] featuring Tiziana Moneta, piano;
Daping Qin (Finland): Animal Farm with Adriana Cioaba, soprano;
Yuri Kasparov (Russia): Bassoon Concerto (1996) [19′] featuring Serban Novac, bassoon;
Tomás Marco: Sinfonietta No. 1 ‘Opaco resplandor de la memoria’ for orchestra (1998–99) [23′];
Jane O’Leary: Islands of Discovery for orchestra {3332; 4331; timp, 3 perc; hp; str} (1991) [29′].
Thursday, 7 October 1999, 19:00 at Moldova Philharmonic Hall, Iași
Nova Musica Viva Ensemble conducted by Florin Simion
Uroš Rojko (Slovenia, b. 1954): Secret Message for cello and piano (1998) [15′];
Dejan Despić (Serbia, b. 1930): A Cinque, op. 115 for wind quintet (1994) [14′];
Alexander Mihalic (Slovakia, b. 1963): Crystals for string quartet (1995-96) [14′];
Miklós Sugár (Hungary, b. 1952): Reminiscences for clarinet, cello, and piano (1984) [9′];
Stanko Horvat (Croatia, b. 1930; d. 2006): In modo rustico for bass clarinet and piano (1997);
Petr Pokorný (Czech Republic, b. 1932; d. 2008): Colours and Cents of the Night {fl, cl, vn, va, vc, db, pf, perc} (1998);
Irinel Anghel (Romania, b. 1969): Entre le ciel et l’enfer {ob, cl, bn, vn, vc, pf, perc} (1997).
Thursday, 7 October 1999, 19:30 at Music High School Hall, Timișoara
Timișoara Ensemble
José Luis Campana (France, b. 1949 in Argentina): Je est un autre for percussion ensemble (1992) [11′];
Tom Johnson (United States, b. 1939; based in France): Soprano Only for 6 sopranos and ensemble with stage direction by Alexander Bayer;
Luigi Morleo (Italy, b. 1970): Lavrea for piano (1994) [6′];
ChanJi Kim (South Korea, b. 1974; now in the U.S.A.): Flying in New York at Summer Night for flute, clarinet, violoncello, and marimba (1999);
Riccardo Santoboni (Italy, b. 1964): Reticoli di diffrazioni for piano;
Sever Tipei (United States, b. 1943 in Romania): Curses for solo vocalist, vocalists and tape [Romanian text by Tudor Arghezi] (1996) [8′];
? Yusuke Iwasaki (Japan): Supercalifragillisticexpialidoceus for tape;
? Jiyoung Jung (South Korea): New York for cello and marimba.
Duo Manoleanu
Dinu Ghezzo (United States, b. 1941 in Romania; d. 2011): Letters to Walt Whitman, 4 songs on poems by Ronald Johnson for soprano, clarinet, and piano (1982 rev. 1998);
Christopher Scinto (United States, b. 1973): Three Songs from Love for soprano and piano [from poems by Lois Ward];
? Helge Hung (Germany): Extravagance.
Trio Contraste *
Srđan Hofman: Duel
Mario Mora Lopez: Sax
Melinda Wagner: Wing and Prayer
Erkart Beinke: Introversion III
(* NOTE: This is the exact same program that Trio Contraste performed on 29 September.)
Trio Contraste with musicians from New York University
Ron Mazurek (United States, b. 1943; d. 2007): Dances of the Spirit;
Chianan Yen (Taiwan): Shan;
Leo Kraft (United States, b. 1922; d. 2014): Six Bagatelles for clarinet, piano, and percussion (1999) [9′];
Youngmi Ha (United States, b. in South Korea): Voices;
Paul Lee (USA): Trio;
John Gilbert (England): Elegy for Cassandra;
Jong Suh Lee (South Korea): Trez;
Dinu Ghezzo: Imaginary Voyages for clarinet, cello and piano/marimba (1999).
Soprano Christel Nies
Klaus Hinrich Stagmer (Germany, b. 1941): Die Landschaft in meine Stimme (1978) [7′];
Violeta Dinescu (Germany, b. 1953 in Romania): Wie entzweit durch das Seil (1997);
John Cage (USA, 1912-1992): Aria (1958);
Youghi Pagh-Paan (South Korea, b. 1945): Flammenzeichen (1983);
Luciano Berio (Italy, b. 1925; d. 2003): Sequenza III (1965).
Friday, 8 October 1999, 18:00 at Philharmony Hall, Bacau
Archaeus Ensemble
James Giroudon: Les murs, ciels et silence for ensemble and electronics (1998) [11′];
Dieter Acker: Sonata for Bassoon and Piano (1996);
Tomás Marco (Spain, b. 1942): Segundo Albor for flute, clarinet, violin, cello, and piano (1995) [10′];
Carmen Verdú: Shadja for oboe, clarinet, bassoon, piano, and percussion (1998);
Yuri Kasparov: Landscape fading into infinity for clarinet, violin, cello, and piano (1991);
Daping Qin: Red Anthem for ensemble;
Vittorio Fellegara: Wiegendlied (Lullaby), version for clarinet and five instruments (?) (1999);
Liviu Dănceanu: Domestical Music.
Friday, 8 October 1999, 18:00 at Banat Philharmonic Hall, Timișoara
Banatul Philharmonic Orchestra conducted by Remus Georgescu
Arne Nordheim (Norway, b. 1931; d. 2010): Violin Concerto (1996) [30′] featuring Florin Croitoru, violin;
Maciej Zieliński (Poland, b. 1971): Symphonia (Symphony No. 1) (1996) [15′];
Thea Musgrave (United States/United Kingdom, b. 1928 in Scotland): Helios, concerto for oboe and orchestra (1994) [17′] featuring Voichita Popa, oboe;
Zoran Erić (Serbia, b. 1950): Images of Chaos V – Oberon Concerto for Flute and Instrumental Ensemble (1997) [19′] featuring Ion Bogdan Stefanescu, flute;
Juan Lémann Cazabon (Chile, 1928-1998): Obertura de Concierto (1986) [7′].
Friday, 8 October 1999, 19:30 at Moldova Philharmonic Hall, Iași
Moldova Philharmonic Orchestra conducted by Gheorghe Costin
Dieter Ammann (Switzerland, b. 1962): Under Pressure, concerto for tenor saxophone and orchestra (1996/97) [16′] featuring Daniel Kientzy, saxophone;
Enrique Raxach (Netherlands, b. 1932 in Spain): Chapter Three/Stage 1 for orchestra (1997) [14′];
Mihaela Vosganian (Romania, b. 1961): Ego-visions for orchestra (1992);
Călin Ioachimescu (Romania, b. 1949): Saxophone Concerto for various saxophones and orchestra (1994) [18′] featuring Kientzy.
Sources:
Nicolae Brînduş, “ISCM World Music Days 1999 – Organizer’s Report,” World New Music Magazine, Issue #10 (September 2000), pp. 73-75.
Cristian Marina, “‘Searching for Dracula’s Castle’ – Unfinished,” World New Music Magazine, Issue #10 (September 2000), pp. 63-67.
Reinhard Oehlschlägel, “For the First Time: Unjuried,” World New Music Magazine, Issue #10 (September 2000), pp. 67-73.
Nicolas Slonimsky: Music Since 1900, Sixth Edition edited by Laura Kuhn (Schirmer Reference, 2001), pp. 885-889.
Irina Suhomlin-Ciobanu, “The Discovery of Moldavia – Organizer’s report by the Moldavian Section,” World New Music Magazine, Issue #10 (September 2000), pp. 76-77.
(annotated by Frank J. Oteri)