Jury
Tadeusz Baird
Jean-Claude Éloy
Óscar Esplá
Klaus Huber
Roman Vlad
Concerts
Thursday, 20 May 1965 – Orquesta Sinfónica de Radio Televisión Española conducted by Odón Alonso in the Auditorium of the Ministry of Information and Tourism
Yorgos Sicilianos (Greece, b. 1920; d. 2005): Stasimon B’, op. 25 (from Euripides’s Iphigeneia in Tauris), for mezzo-soprano, women’s voices, and orchestra (1964) [17′] featuring Alice Gabbai plus the Coro de RNE and the Coral de Cámara Tomás Luis de Victoria [WORLD PREMIERE];
Yoritsune Matsudaira (Japan, b. 1907; d. 2001): Concerto for Piano and Orchestra (1964) featuring pianist Tadashi Kitagawa;
Friedrich Cerha (Austria, b. 1926; d. 2023): Spiegel II for 55 strings (1960-61) [13′];
André Jolivet (France, b. 1905; d. 1974): Symphony No. 2 (1959) [26′].
Friday, 21 May 1965 at the Sala del Instituto Nacional de Previsión
Alexander Goehr (United Kingdom [England], b. 1932 in Germany; d. 2024): Fantasias, op. 3, for clarinet and piano (1954) [12′] performed by Keith Puddy and Vivian Troon;
Riccardo Malipiero (Italy, b. 1914; d. 2003): In Time of Daffodils [text: E. E. Cummings] for soprano, baritone, and seven instruments (1964) [21′] sung by Teresa Tourné and Meinrad Kraak;
Gilbert Amy (France, b. 1936): Alpha-Beth for piano and wind quintet (1963) [14′] conducted by the composer;
Luis de Pablo (Spain, b. 1930; d. 2021): Polar, op. 12, for ensemble (1961-62) [11′];
Motohiko Adachi (Japan, b. 1940): Concerto for Strings (1963) [WORLD PREMIERE];
Heinz Holliger (Switzerland, b. 1939): Glühende Rätsel [text: Nelly Sachs] for alto and ensemble (1964) [15′] sung by Jeanne Deroubaix and conducted by the composer;
+ Béla Bartók (Hungary/United States, 1881-1945): Contrasts for clarinet, violin, and piano (1938) [18′] most likely performed by Leocadio Parras, José Fernández, and María del Carmen Díez Martín.
Saturday, 22 May 1965 – Orquesta Nacional de España conducted by Rafael Frühbeck de Burgos in the Auditorium of the Ministry of Information and Tourism
Rudolf Maros (Hungary, b. 1917 in Czechoslovakia; d. 1982): Eufonia No. 2 for winds, percussion, and 2 harps (1964) [12′] in a performance including harpist Ursula Holliger and possibly Nicanor Zabaleta [WORLD PREMIERE];
Åke Hermanson (Sweden, b. 1923; d. 1996): In nuce, op. 7 for orchestra (1962-63) [3′];
Aribert Reimann (West Germany, b. 1936; d. 2024): Hölderlin-Fragmente [text: Friedrich Hölderlin] for soprano and orchestra (1963) [20′] sung by Elisabeth Grümmer;
Andrzej Dobrowolski (Poland, b. 1921 in Ukraine; d. 1990 in Austria): Music for String Orchestra and Four Groups of Wind Instruments (1964) [7′];
+ Alban Berg (Austria, 1885-1935) Violin Concerto (1935) [25′] featuring violinist Agustín León-Ara;
Cristóbal Halffter (Spain, b. 1930; d. 2021): Secuencias for orchestra (1964) [16′].
Monday, 24 May 1965 – program conducted by José María Franco Gil at the Sala del Instituto Nacional de Previsión
Gunther Schuller (United States, b. 1925; d. 2015): Music for Brass Quintet (1961) [12′];
Camillo Togni (Italy, b. 1922; d. 1993): Rondeaux [text: Charles d’Orléans] for 10 (soprano, harpsichord, and 8 instruments) (1963-64) [11′] featuring soprano Ana Higueras and harpsichordist Genoveva Gálvez [WORLD PREMIERE];
Peter Kolman (Czechoslovakia [Slovakia], b. 1937; d. 2022 in Austria): Sonata Canonica for clarinet and bass clarinet (1963) [5′] performed by Jaroslav Jakoubek and František Griglák;
Noam Sheriff (Israel, b. 1935; d. 2018): Destination 5′ for brass and percussion (1962) [5′].
?* Jürg Wyttenbach (Switzerland, b. 1935; d. 2021): Divisions for piano and 9 solo strings (1963-64) [10′] featuring the composer at the piano *;
?* Shinichi Matsushita (Japan, b. 1922; d. 1990): Fresque sonore for seven instruments (1964) [10′] *;
?* Ton de Kruyf (Netherlands, b. 1937; d. 2012): Einst dem Grau der Nacht enttaucht … [text: Paul Klee] for mezzo-soprano and ensemble (1964) [22′] sung by Ileana Melita.
Tuesday, 25 May 1965 – a special concert of Spanish music performed by the Orquesta Nacional de España conducted by Rafael Frühbeck de Burgos in the Auditorium of the Ministry of Information and Tourism
Antón García Abril (Spain, b. 1933; d. 2021): Homenaje a Miguel Hernández [text: Miguel Hernández] for baritone and orchestra (1963-64; orch’d 1965);
Óscar Esplá (Spain, b. 1886; d. 1976): Sonata del Sur, op. 52 for piano and orchestra (1945) [27′] performed by Alicia de Larrocha;
Joaquín Rodrigo (Spain, b. 1901; d. 1999): Ausencias de Dulcinea for bass/baritone, four sopranos, and large orchestra (1948) [15′];
Ernesto Halffter (Spain, b. 1905; d. 1989): Canticum In Memoriam PP Johannem XXIII for soprano, bass, chorus, and orchestra (1964) [10′] featuring soprano Ángeles Chamorro and bass Julio Catania;
Xavier Montsalvatge (Spain [Catalonia], b. 1912; d. 2002): Desintegración Morfológica de la Chacona de J. S. Bach for large orchestra (1963) [15′].
Wednesday, 26 May 1965 – Orquesta Sinfónica de Radio Televisión Española conducted by Odón Alonso in the Auditorium of the Ministry of Information and Tourism
Bo Nilsson (Sweden, b. 1937; d. 2018): Szene II for orchestra (1961) [4′];
Arne Nordheim (Norway, b. 1931; d. 2010): Epitaffio for orchestra and electronic sounds (1963) [10′];
Kazimierz Serocki (Poland, b. 1922; d. 1981): Freski symfoniczne (Symphonic Frescoes) (1963-64) [12′];
+ Anton Webern (Austria, 1883-1945): Symphony, op. 21 (1927-28) [10′];
+ Igor Stravinsky (United States, b. 1882 in Russia; d. 1971): Abraham and Isaac for baritone and orchestra (1962-63) [12′];
+ Arnold Schönberg (Austria/United States 1874-1951): A Survivor from Warsaw for narrator, men’s chorus, and orchestra (1947) [9′].
Friday, 28 May 1965 – Orquesta Filarmónica de Madrid conducted by Enrique García Asensio and Jesús López Cobos in the Teatro María Guerrero
Domenico Guaccero (Italy, b. 1927; d. 1984): Iter inverso for 16 instruments (1963) [10′];
Alberto Ginastera (Argentina, b. 1916; d. 1983): Cantata Bomarzo, op. 32, for narrator, baritone, and chamber orchestra (1964) [26′];
René Koering (France, b. 1940): Combat T 3N for piano and chamber orchestra (1961) featuring the composer as soloist;
Krzysztof Penderecki (Poland, b. 1933; d. 2020): Stabat Mater for three choruses unaccompanied (1962) [8′];
+ Manuel de Falla (Spain, 1876-1946 in Argentina): El Retablo de maese Pedro (Master Pedro’s Puppet Play), opera in one act (1919-23) [30′] featuring baritone Antonio Campó (as Don Quijote), tenor José María Higuero (as Maese Pedro), and soprano Isabel Penagos (as Trujamán).
Note
* Although Haefeli and Slonimsky both list the works by Jürg Wyttenbach, Shinichi Matsushita, and Ton de Kruyf as taking place on 24 May 1965 concert, according to a contemporaneous review by Antonio Fernández Cid published on 27 May 1965 in Informaciones), those three works could not be performed due to a heart attack suffered while en route to the concert hall by the man who was supposed to conduct them, Francisco Gasent: “De las siete obras que formaban el programa previsto en el segundo concierto de cámara del Festival de la S.I.M.C., tres de ellas no pudieron interpretarse por culpa de un ataque al corazón sufrido por el profesor Francisco Gasent cuando se trasladaba al Instituto de Previsión para intervenir en el concierto (…) quedó la sesión compuesta port obras del estadounidense Gunther Schuler, el italiano Camillo Togni, el checo Peter Kolmann y el holandés Noam Sheriff.” (Of the seven works that made up the program planned for the second chamber concert of the S.I.M.C. Festival, three could not be performed due to a heart attack suffered by Professor Francisco Gasent while on his way to the Social Security Institute to take part in the concert … The session consisted of works by the American Gunther Schuler, the Italian Camillo Togni, the Czech Peter Kolmann, and the Dutch [sic] Noam Sheriff. translation via deepl.com)
Other significant interpreters
Singers and narrators: J.N. Dent-Young, José María Seoane, José A. León.
Viola: Serge Collot.
Flute: Jacques Castagnier.
Ensembles: Les Percussions de Strasbourg.
Sources
? Ángel del Campo, Pueblo (Madrid), 29 May 1965 [in Spanish] (excerpt cited online).
? Juana Espinós Orlando, Madrid, 28 May 1965 [in Spanish] (excerpt cited online).
? Antonio Fernández Cid, Informaciones (Madrid), 27 May 1965 [in Spanish] (excerpt cited online).
? José María Franco, YA (Madrid), 27 May 1965 [in Spanish] (excerpt cited online).
Anton Haefeli, Die Internationale Gesellschaft für Neue Musik (IGNM), Ihre Geschichte von 1922 bis zur Gegenwart (Atlantis Musikbuch-Verlag, 1982), pp. 523-524 [in German].
Fernando López Lerdo de Tejada, “XXXIX Festival Mundial SIMC,” Ritmo Issue 354 (June 1965), p. 11 [in Spanish] (available online).
Colin Mason, “Concerto to Beguile the Listener,” Daily Telegraph and Morning Post, May 21, 1965, p. 19.
? Fernando Ruiz Coca, El Alcázar (Madrid) 28 May 1965 [in Spanish] (excerpt cited online).
Enrique Sacau-Ferreira, Performing a Political Shift: Avant-Garde Music in Cold War Spain, Dphil Thesis for St Catherine’s College Faculty of Music University of Oxford [available online via the Oxford University Research Archive], pp. 59-60, 227-228.
Nicolas Slonimsky, Music Since 1900, Sixth Edition edited by Laura Kuhn (Schirmer Reference, 2001), pp. 589-591.
? Federico Sopeña, ABC (Madrid), 27 May 1965 [in Spanish] (excerpt cited online).
Francisco Silvela, “Adelante, hacia las nuevas conquistas de la Música,” Ritmo Issue 354 (June 1965), p. 3 [in Spanish] (available online).
(annotated by Frank J. Oteri, in progress)