1984 Toronto, Montreal
Sep 21, 1984 – Oct 3, 1984
Toronto, Montreal
Festival info
Start: Sep 21, 1984
End: Oct 3, 1984
Locations: Toronto, Montreal
Hosting member(s)
From contemporaneous reviews:
“Although the I.S.C.M. was a truly wide-ranging forum for the new in the 1920’s, it has not always maintained a comparable freshness or ecumenicalism. Certainly in the United States, the joint I.S.C.M./League of Composers concerts in New York (where the American branch is centered) have, until recently at least, felt the dead hand of academicism. And the same was reportedly the case for many of the World Music Days festivals as well.”
–John Rockwell, “Music: Toronto is Host To the Contemporary,”
The New York Times, September 24, 1984, Section C, Page 12.
“The agenda for this get-together includes some 28 programs of new works for various media by a legion of composers from countries around the world. Instrumental and vocal works, chamber music, orchestral music and even theatre music are represented in the collection. It is unlikely that many of the people attending these concerts will pause to reflect on the extraordinarily long and complex piece of organization that has gone into the preparation of this meeting. It began in 1981 when the ISCM officially designated Canada as the host country for the World Music Days of 1984.”
–Eric McLean, “World Music Days Moves to Montreal,”
The Gazette (Montreal), 29 September 1984, E10.
Jury
Mario Davidovsky
Serge Garant
Betsy Jolas
Marlos Nobre
John Weinzweig
Joji Yuasa
Concerts
* ISCM jury selected works
Friday, 21 September 1984 at 9:00pm – New Music Concerts under the direction of Robert Aitken at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Vinko Globokar (France/Slovenia, b. 1934): Laboratorium (1973-1984) [51’] [world premiere of the complete version]
Saturday, 22 September 1984 at 8:30pm – COMUS Music Theatre of Canada at Studio Theatre, Harbourfront, Toronto
Bentley Jarvis (Canada): Chroma for electronic sound environment (1981-82) [Robert Mulder, light sculptor; Sallie Lyons, choreographer]
Sunday, 23 September 1984 at 11:00am – Youth and Music Canada Cushion Concert at Roy Thomson Hall (lobby)
R. Murray Schafer (Canada, b. 1933; d. 2021): The Crown of Ariadne for harp and percussion (1979) [30’] *
Sunday, 23 September 1984 at 2:00pm – Elmer Iseler Singers & Toronto Mendelssohn Choir conducted by Elmer Iseler at Roy Thomson Hall
R. Murray Schaffer: Sun for Chorus (1982) [8’] (TMC);
Cecilie Ore (Norway, b. 1954): Carnatus for Soprano and Chorus * (EIS);
( Krzysztof Penderecki (Poland, b. 1933; d. 2020): Stabat Mater (1962) [9’] – CANCELLED;)
Robert Aitken (Canada, b. 1939): Monodie for Chorus and flute (1984) [15’] (EIS) – ADDED;
Ernest MacMillan (Canada, 1893-1973): Blanche comme la neige for Chorus (1928) [8’] (TMC);
Nigel Osborne (United Kingdom, b. 1948): Choralis I, II, III for Chorus (1981-82) [9’+10’+4’] * (Pt. II was CANCELLED) (EIS);
Arne Mellnäs (Sweden, b. 1933; d. 2002): L’Infinito [Giacomo Leopardi] for Chorus (1982) [10’] * (EIS);
Ton de Leeuw (Netherlands, b. 1926; d. 1996): Car nos vignes son en fleur [text: Song of Songs] for Chorus (1981) [19’] * (EIS);
R. Murray Schaffer: Epitaph for Moonlight for Chorus (1968) [4’] (TMC).
Sunday, 23 September 1984 at 7:00pm – CBC National Radio Competition for Young Composers at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Serge Arcuri (Canada, b. 1954): Résurgence for fixed media electronic sounds (1982) [7’];
??? George Cappon (Canada): Mindscape for fixed media electronic sounds;
Paul Dolden (Canada, b. 1956): The Melting Voice through Mazes Running for fixed media electronic sounds (1984) [21’];
Randolph Peters (Canada, b. 1959): Analogia (1982) performed by The York Winds with saxophonist David Tanner;
Douglas Schmidt (Canada, b. 1955): Music for Pennywhistle, Accordion and Mandolin (1984);
Rodney Sharman (Canada, b. 1958): Erstarrung (Gradually becoming motionless) for violin with Baroque flute, mandolin, bass clarinet, guitar, harp, doublebass, and percussion (1984) [15’];
Glenn Buhr (Canada, b. 1954): Le rève revient… for two pianos (1984) [16’] performed by James Anagnoson and Leslie Kinton.
Monday, 24 September 1984 at 2:00pm – flutist Robert Aitken & pianist Christina Petrowska-Quilico Double Solo Concert at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Scott Lindroth (United States, b. 1958): Pieces of Piano (1982) *;
Mariano Etkin (Argentina, b. 1943; d. 2016): Distancias for piano (1968);
Héctor Tosar (Uruguay, b. 1923; d. 2002): En ré for piano (1981) [14’] *;
Ann Southam (Canada, b. 1937; d. 2010): Rivers for piano (1982);
Tiberiu Olah (Romania, b. 1928; d. 2002): Sonata for flute solo (1978) [8’] *;
Esa-Pekka Salonen (Finland, b. 1958): Yta I for alto flute solo (1982) [5’] *;
Paul Méfano (France, b. 1937; d. 2020): Traits suspendus for amplified contrabass flute (1980) [4’] *;
Sukhi Kang (South Korea, b. 1934; d. 2020): Man-Pa (Huge Stream) for multiple flutes performed by one musician (1981) [13’] *;
Martin Bresnick (United States, b. 1946): Conspiracies for multiple flutes (1979) [14’] *;
John Cage (United States, b. 1912; d. 1992): Ryoanji II for flute (1983-85) [duration variable].
Monday, 24 September 1984 at 8:00pm – Kitchener-Waterloo Symphony Orchestra conducted by Raffi Armenian at MacMillan Theatre, University of Toronto
Bernard Rands (United States, b. 1934 in the United Kingdom [England]): Canti del sole for Tenor and orchestra (1983) [29’] * with tenor Martin Chambers;
Costin Miereanu (France, b. 1943 in Romania): Miroirs célestes for orchestra (1981-83) [20’] *;
Gerard Brophy (Australia, b. 1953): Exú for amplified violin and orchestra (1981-82) [duration?] * with violinist Moshe Hammer;
John Weinzweig (Canada, b. 1913; d. 2006): Divertimento No. 7 for horn and orchestra (1979) [19’] with hornist John Milner.
Tuesday, 25 September 1984 at 2:00pm – Arditti Quartet and pianist Yvar Mikhashoff at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Karl Aage Rasmussen (Denmark, b. 1947): Solos and Shadows for string quartet (1983) [20’] *;
James Dillon (United Kingdom [Scotland], b. 1950): String Quartet No. 1 (1983) [19’];
Roger Smalley (Australia, b. 1943 in the United Kingdom; d. 2015): String Quartet (No. 1) (1978-79) [18’] *;
Per Nørgård (Denmark, b. 1932): Achilles og Skildpadden (Achilles and the Tortoise) for solo piano (1983) [10’];
Frederic Rzewski (United States/Belgium [Wallonia], b. 1938; d. 2021): Piano Piece No. 4 (1977) [7’];
Sylvano Busotti (Italy, b. 1931; d. 2021): Mort de Phèdre {pf} (1984) ADDED.
+
Tangos from the international tango collection performed by Yvar Mikhashoff…
John Cage: Perpetual Tango for solo piano (1984) [2′];
Marlos Nobre (Brazil, b. 1939): Tango for solo piano (1984) [4′];
Betsy Jolas (France, b. 1926): Tango si for solo piano (1984) [2′];
Zoltán Jeney (Hungary, b. 1943; d. 2019): Philip Marlowe tracks down Yvar’s last tango for solo piano (1984) [3′];
William Duckworth (United States, b. 1943; d. 2012): Tango Voices for solo piano (1984) [3′];
Conlon Nancarrow (Mexico, b. 1912 in the United States; d. 1997): Tango? for solo piano (1983) [4′];
Anthony Genge (Canada, b. 1952): Tango for solo piano (1984) [4′];
Lukas Foss (United States, b. 1922; d. 2009): Curriculum Vitae Tango for solo piano (1983) [3′];
& Waltzes performed by Yvar Mikhashoff…
Alvin Curran (United States/Italy, b. 1938): For Cornelius for solo piano (1982) [c. 14′];
Philip Glass (United States, b. 1937): Modern Love Waltz for solo piano (1978) [3′];
Lou Harrison (United States, b. 1917; d. 2003): A Waltz for Evelyn Hinrichsen for solo piano [2′];
Milton Babbitt (United States, b. 1916; d. 2011): Minute Waltz (Or 3/4 +- 1/8) for solo piano (1977) [1′];
Tom Constanten (United States, b. 1944): Dejavalse for solo piano [2′];
Robert Moran (United States, b. 1937): Waltz in Memoriam Maurice Ravel for solo piano (1976) [2′];
John Cage: 49 Waltzes for the Five Boroughs for solo piano (1977) [duration variable];
Virgil Thomson (United States, b. 1896; d. 1989): For A Happy Occasion for solo piano (1951) [21″].
Tuesday, 25 September 1984 at 8:00pm – Arraymusic directed by Douglas Perry at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Brian Fennelly (United States, b. 1937; d. 2015): Tesserae II for solo violoncello (1972) [10’] * ??? or (acc Slonimsky) Tesserae III for solo viola (1976) [13′];
Jouni Kaipainen (Finland, b. 1956; d. 2015): Trio (no. 1), op. 21 for clarinet, violoncello, and piano (1983) [18’] *;
Henry Kucharzyk (Canada, b. 1953): Walk the Line for percussion plus string quartet and double-bass (1982) [18’];
Martin Wesley-Smith (Australia, b. 1945; d. 2019): For Marimba and Tape (1983) [11’] *;
Gilles Tremblay (Canada, b. 1932; d. 2017): DZEI (voies de feu) [text: Heraclitus] for Soprano plus flute, bass clarinet, piano, and percussion (1982) *.
Wednesday, 26 September 1984 at 10:00am – Toronto Symphony conducted by Andrew Davis OPEN REHEARSAL at Roy Thomson Hall, Toronto
Hector Berlioz (France, 1803-1869): Corsaire Overture (1844) [8’];
Michael Colgrass (Canada, b. 1932 in the United States; d. 2019): Chaconne for viola and orchestra (1984) [26’] featuring Rivka Golani;
Ludwig van Beethoven (Germany/Austria, 1770-1827): Symphony No. 3 (1807) [50’].
(Acc Slonimsky, at a concert the following day, which was not part of the ISCM Festival, the Colgrass work received its official world premiere; presumably the rest of the program was the same as the repertoire featured during this open rehearsal.)
Wednesday, 26 September 1984 at 2:00pm – Chamber Players of the League-ISCM (USA Section) at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
John Cage: Six Melodies for violin and piano (1950) [12’] performed by Linda Quan and Aleck Karis;
Maurice Wright (United States, b. 1949): Solo for Flute(s) and Electronic Sound (1982) [17’] (Sue Ann Kahn) ADDED;
Joan Tower (United States, b. 1938): Breakfast Rhythms I and II for for flute, clarinet, violin, violoncello, and piano (1974-75) [15’];
Mario Davidovsky (United States, b. 1934 in Argentina; d. 2019): Synchronisms No. 6 for piano and fixed media electronics (1970) [7’] performed by Aleck Karis;
Ralph Shapey (United States, b. 1921; d. 2002): Three for Six for flute, clarinet, violin, violoncello, piano, and percussion (1979) [17’].
( Gabriel Iranyi (Israel, b. 1946 in Romania): Realm for amplified violoncello (1980) [9’] * CANCELLED;)
(??? James Dillon (United Kingdom, b. 1950): String Quartet No. 1 (1983) [19′] (acc Slonimsky);)
(??? Jan W. Morthenson: Ancora for string quartet (1983) [18′] (acc Slominsky).)
Wednesday, 26 September 1984 at 8:00pm – Esprit Contemporain directed by Alex Pauk at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
John Rea (Canada, b. 1944): Vanishing Points for orchestra (1983) [13’];
Magnus Lindberg (Finland, b. 1958): Ritratto (Portrait) for 18 musicians (1979-83) [13’] *;
Brian Cherney (Canada, b. 1942): Into the Distant Stillness… for orchestra (1984) [16’] WP?;
John Burke (Canada, b. 1951; d. 2020): Alchemies for orchestra (1983-84) [15’];
Alex Pauk (Canada, b. 1945): Mirage for orchestra (1984) [16’].
Thursday, 27 September 1984 at 12:00pm – clarinetist Jean Kopperud at Studio Theatre, York Quai Centre Harbourfront, Toronto
Karlheinz Stockhausen (West Germany, b. 1928; d. 2007): Harlekin for solo clarinet (1975) [44’].
Thursday, 27 September 1984 at 2:00pm – Grupo Encuentros de Musica Contemporanea de Buenos Aires / Alicia Terzian at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
Marcelo Koc (Argentina, b. 1918 in Belarus; d. 2006): Música para cinco instrumentos, op. 33 (1983) [9’];
Manuel Enríquez (Mexico, b. 1926; d. 1994): Ambivalencia for violin and violoncello (1967) [7’];
Juan Amendábar Ruiz (Chile, b. 1922; d. 1999): Feedback for violin and electronics (1964) [7’];
Riccardo Formosa (Australia, b. 1954 in Italy): Tableaux for piccolo, clarinet, violin, viola, and harpsichord (1982) [4’] *;
Salvador Ranieri (Argentina, b. 1930; d. 2012): Tres monogramas for unaccompanied clarinet (1961?);
Raul Do Valle (Brazil, b. 1936): Estrias IV for unaccompanied violoncello (1977) [5’] (listed simply as Estrias by Slonimsky);
Yoritsune Matsudaira (Japan, b. 1907; d. 2001): Rhapsodie sur un theme de Gagaku for 10 musicians (1982-83?) *.
Thursday, 27 September 1984 at 8:00pm – Canadian Electronic Ensemble at Premiere Dance Theatre, Queens Quai Harbourfront, Toronto
David Grimes (Canada, b. 1948 in the United States; now back in the U.S.A.): Rubrics for bassoon and piano (1983);
Michael McNabb (United States, b. 1952): Love in the Asylum for computer-generated electronic sounds (1981) [14’] *;
Larry Lake (Canada, b. 1943 in the United States; d. 2013): Sticherarion for electric bass guitar, 2 synthesizers and electronics (1984) [17’] %%;
David Jaeger (Canada, b. 1947): Clim of the Clough for bass clarinet, 3 keyboards, electric bass guitar and electronics (1983) [5’];
Jonty Harrison (United Kingdom, b. 1952): Klang (1982) for fixed media electronic sounds [9’] *;
James Montgomery (Canada, b. 1943): Saigon for synthesizer and electric strings (1984) [10’]%% (replacing his CANCELLED Wildfire for string trio and fixed media electronics (1984) [16’]).
Friday, 28 September 1984 at 8:00pm – Orchestre du Centre National Des Arts conducted by Serge Garant at Salle Claude-Champagne, Université de Montréal
Paweł Szymański (Poland, b. 1954): Sonata for strings and percussion (1982) *;
Simon Bainbridge (United Kingdom [England], b. 1952; d. 2021): Concertante in moto perpetuo for oboe and chamber orchestra (1983) [7’] featuring oboist Marc Laberge *;
Makoto Shinohara (Japan, b. 1931; d. 2024): Turns for violin and koto (1983/84) [10’] * performed by violinist Walter Prystawski and the composer on the koto;
R. Murray Schaefer: East for chamber orchestra (1972/77) [9’];
Claude Vivier (Canada 1948-1983): Lonely Child for Soprano and orchestra (1980) [19’] sung by Marie-Danielle Parent;
Serge Garant (Canada, b. 1929; d. 1986): Plages for orchestra (1981) [14’].
Saturday, 29 September 1984 at 4:00pm – Magnetic Band (Vancouver) directed by Owen Underhill at Salle Alfred-Laliberté, Université de Montréal
Alexina Louie (Canada, b. 1949): Pearls for flute, oboe, violoncello, piano, and percussion (1980) [13’];
John Celona (Canada, b. 1947 in the United States): Arpeggio for digital synthesizer?;
Barbara Pentland (Canada, b. 1912; d. 2000): Tellus for flute, violoncello, piano, celesta, and percussion (1981) [19’];
Owen Underhill (Canada, b. 1954): Escalator for flute, oboe, violin, violoncello, piano 4-hands, and percussion (1982) [11’];
Stephen Chatman (USA/Canada, b. 1950): Hesitation for violin and celesta (1975) [7’];
Bruce Mather (Canada, b. 1939): Elegy for flute, violoncello, piano, and percussion (1983) [17’].
Saturday, 29 September 1984 at 4:00pm – Rocco (dancer) Événement Bussotti at Salle Pollack, McGill University
Sylvano Bussotti: Fogli d’album for piano (1984) [30’];
Sylvano Bussotti: Gran Duo for violoncello and piano (1977-780 [15’];
Sylvano Bussotti: Tramonto for flute, clarinet, and horn (1978) [20’].
Sunday, 30 September 1984 at 11:00am – Jeunesses Musicales du Canada: Sons et Brioches, pianist Christina Petrowska-Quilico at Place des Arts, Montréal
Claude Debussy (France, 1862-1918): from Préludes Livre II – Brouillards, Ondine, Feux d’artifice (1912-13);
Ann Southam: Rivers;
Héctor Tosar: En ré (1981) [14’] *;
George Gershwin (United States 1898-1937): selections from George Gershwin’s Songbook for solo piano (c. 1932).
Sunday, 30 September 1984 at 4:00pm – Jeunesses Musicales du Canada at Salle Alfred-Laliberté, Université de Montréal
Sven-Erik Bäck (Sweden, b. 1919; d. 1994): Sonata for solo flute (1949) [14’] performed by Tobias Carron;
Benjamin Britten (United Kingdom [England] 1913-1976): Nocturnal, op. 70 for solo guitar (1963) [17’] performed by Michael Conn;
Philippe Hurel (France, b. 1955): Opcit for solo tenor saxophone (1984) [11’] performed by Claude Delangle;
Betsy Jolas: Episode IV for solo tenor saxophone (1983) [8’] performed by Claude Delangle (ADDED);
Folke Rabe (Sweden, b. 1935; d. 2017): Basta for solo trombone (1982) [5’] performed by Christian Lindberg;
Luciano Berio (Italy, b. 1925; d. 2003): Sequenza V for solo trombone (1966) [7’] performed by Christian Lindberg;
Frank Martin (Switzerland, 1890-1974): Ballade for trombone and piano (1940) [8’] performed by Christian Lindberg and Michel Fournier;
( Stanko Horvat (Yugoslavia [Croatia], b. 1930; d. 2006): Accords for piano (1979)[15’] – NOT CHOSEN;)
( Dubravko Detoni (Yugoslavia [Croatia], b. 1937): Orfejeva pratnja (Suite d’Orphée) for piano (1967) [9’] – NOT CHOSEN;)
( ??? D. Kempe: Arte mutatae for piano (1975) – NOT CHOSEN;)
Ivo Josipović (Yugoslavia [Croatia], b. 1957): Variations for piano (1980) [10’];
Berislav Šipuš (Yugoslavia [Croatia], b. 1958): Pet stavaka (Cinq mouvements) for piano (1982) [8’];
Ryō Noda (Japan, b. 1948): Improvisations Nrs 1 (1972) [4’] & 2 (1973) [4’] for alto saxophone performed by Miguel A. Villafruela;
Ida Gotkovsky (France, b. 1933): Brilliance (1974) for alto saxophone and piano (1974) [10’] performed by Miguel A. Villafruela and Michel Fournier.
Sunday, 30 September 1984 at 8:00pm – Grupo Encouentros de Musica Contemporanea de Buenos Aires directed by Alicia Terzian at Salle Alfred-Laliberté, Université de Montréal
Unsuk Chin (South Korea, b. 1961): Getstalten (Forms) for flute, violin, and piano (1983-84) *;
Leo Brouwer (Cuba, b. 1939): Cinco epigramas for violin and piano (1968);
Rodolfo Arízaga (Argentina, b. 1926; d. 1985): Cantos del amor y la eternidad for flute, clarinet, violin, violoncello, and piano (1983);
Alicia Terzian (Argentina, b. 1934): Shantiniketan for solo flute (1979);
Jorge Antunes (Brazil, b. 1942): Tres impressões cançoneirigenas for flute, violin, and violoncello (1981);
Guillermo Graetzer (Argentina, b. 1914 in Austria; d. 1993): Quintetto for flute, clarinet, violin, violoncello, and piano (1983).
Monday, 1 October 1984 at 4:00pm – Atelier de Percussion de l’Université de Montréal directed by Robert M. Leroux at Salle Claude-Champagne, Université de Montréal
Serge Garant: Circuit I for 6 percussionists (1971) [17’];
Akira Nishimura (Japan, b. 1953): Kecak for 6 percussionists (1979) [12’] *’
( Betsy Jolas: États for violin and percussion sextet (1967) [17’] CANCELLED;)
Jō Kondō (Japan, b. 1947): Wait for 5 percussionists (1973) [13’] (ADDED);
Pierre Trochu (Canada, b. 1953): Vertiges for 6 percussionists (1983) [20’];
Claude Vivier: Pulau Dewata for variable ensemble (1977; new version?) [~12’].
Monday, 1 October 1984 at 8:00pm – Orchestre Symphonique de Montréal conducted by Charles Dutoit at the Salle Wilfrid-Pelletier Place des Arts, Montréal
Richard Strauss (Austria, 1864-1949): Don Juan, op. 20 for orchestra (1887-88) [17’];
Isang Yun (West Germany, b. 1917 in Korea; d. 1995): Exemplum in memoriam Kwangju for Chorus and orchestra (1981) [20’] *;
Johannes Brahms (Germany, 1833-1897): Symphony No. 1 in d minor, op. 68 (1862-76) [~50’].
Monday, 2 October 1984 at 9:30pm – Arditti Quartet at the Salle Alfred-Laliberté, Université de Montréal
(Irvine Arditti/Alexander Balanescu/Levine Andrade/Rohan de Saram)
György Kurtág (Hungary, b. 1926): String Quartet, op. 1 (1959) [15’];
Brian Ferneyhough (United States, b. 1943 in the United Kingdom [England]): Adagissimo for string quartet (1983) [2’];
Susan Blaustein (United States, b. 1953): Ricercate (String Quartet No. 1) (1981) [25’] *;
Jan W. Morthenson (Sweden, b. 1940): Ancora for string quartet (1983) [8’] *;
( Wolfgang Rihm (West Germany, b. 1952): String Quartet No. 5 (1981-83) [27’] – CANCELLED;)
( Roger Smalley: String Quartet No. 1 (1978-79) [18’] * – listed as part of this program by Slonimsky;)
Iannis Xenakis (France/Greece, b. 1922 in Romania; d. 2001): Tetras for string quartet (1983) [15’] (ADDED).
Tuesday, 2 October 1984 at 4:00pm – ACREQ at the Salle Alfred-Laliberté, Université de Montréal
(Association pour la creation et la recherche électroacoustiques du Québec)
Francis Dhomont (Canada, b. 1926 in France; currently living in France): Points de fuite for fixed media electronic sounds (1982) [12’] *;
Serge Arcuri (Canada, b. 1954): Chronaxie ou Ce desert acharnement de couleurs for percussion and fixed media electronic sounds (1984) [12’] performed by Manon Descòteaux;
Philippe Ménard (Canada, b. 1946): Conte-à-Nino for fixed media electronic sounds (1984) [10’];
( Yves Daoust (Canada, b. 1946): Petite musique sentimentale for piano and fixed media electronic sounds (1984) [10’] CANCELLED;)
André Luc Desjardins (Canada, b. 1955): Manu Militari for tuba and fixed media electronic sounds (1982-84) [7’] performed by Michel Blackburn;
Claude Frenette (Canada, b. 1955): Étude à quatre-vingt-dix-neuvième nuit for fixed media electronic sounds [13′] PREMIERE?;
Denis Smalley (New Zealand, b. 1946): Vortex for fixed media electronic sounds (1982) [16’] *;
Anders Hillborg (Sweden, b. 1954): The rite of passage for fixed media electronic sounds (1979 revised 1981) [12’] *.
Tuesday, 2 October 1984 at 8:00pm – Société de Musique Contemporaine du Québec directed by Serge Garant at the Salle Pollack, McGill University Montréal
Mamoru Fujieda (Japan, b. 1955): Planetary Folklore for 3 pianos (1980) [13’] *;
Pierre Trochu: Tangente for 10 musicians (1984) [19’] [world premiere];
Gilbert Amy (France, b. 1936): Écrits sur toile for Narrator with flute (doubling piccolo), Bb clarinet (doubling A clarinet), horn, piano (doubling celesta), violin, viola, and violoncello (1983) [17’] *;
Michel Longtin (Canada, b. 1946): Pohjatuuli for clarinet, 2 horns, trumpet, trombone, 2violoncellos, 2 doublebasses, and percussion (1984) [30’].
Wednesday, 3 October 1984 at 4:00pm – Les Événements du Neuf at the Salle Alfred-Laliberté, Université de Montréal
Ramón Barce (Spain, b. 1920; d. 2008): Oleada for unaccompanied Baritone (1982) [20’] * sung by Yves Dionne;
Daniel Tosi (France, b. 1953): Plastiques Faber for 4 recorders (1979) [19’]* performed by Gilles Plante, Jean-Marc Gras, Denis Saint-Germain, and Elisabeth Caty;
Joji Yuasa (Japan, b. 1929;d. 2024): Observations on Weather Forecast for Baritone and trumpet (1983) [11’] performed by Yves Dionne and Daniel Doyon;
Denis Gougeon (Canada, b. 1951): Voix intimes for 2 Sopranos, 4 clarinets, and percussion (1981) [12’] sung by Marie-Danielle Parent and Yolande Parent with an ensemble conducted by Lorraine Vaillancourt.
Wednesday, 3 October 1984 at 8:00pm – Music Theatre Performance at the Théatre de l’Eskabel, Montréal
Micheline Coulombe Saint-Marcoux (Canada, b. 1938; d. 1985): Transit [text: France Théoret] {music theatre} (1984) [70’].
NOTE:
The following jury selected works were cancelled due to unavailability of performers
Todd Brief (United States, b. 1953): Cantares for Soprano and large orchestra (1982) [16’] *
Brian Ferneyhough: Carceri d’Invenzione I for 16 musicians (1982) * [$]
Yori-Aki Matsudaira (Japan, b. 1931): Kurtosis I for orchestra (1982) [15’] *
+
Takayuki Rai (Japan, b. 1954): Solidity {oboe, clarinet ,bass clarinet, bassoon, harp, piano, and string quartet (1983) [8’] * COMPOSER REQUESTED WORK NOT BE PERFORMED
Sources
Eric McLean, “World Music Days Moves to Montreal,” The Gazette (Montreal), 29 September 1984, E10 (available online via Newspapers.com).
John Rockwell, “Music: Toronto is Host To the Contemporary,” The New York Times, September 24, 1984, Section C, Page 12 (available online).
Nicolas Slonimsky, Music Since 1900, Sixth Edition edited by Laura Kuhn (Schirmer Reference, 2001), pp. 731-734.
(annotated by Frank J. Oteri, in progress)