2001 Yokohama
–
Yokohama
From contemporaneous reviews
“With WMD 2001 in Japan many delegates were a little scandalised to find that forty-six percent of the music on the programme was Japanese (n. 63 pieces out of 136; 73 from other countries); hardly surprising, when the ISCM statutes explicitly state: ‘The aims of the International Music Events are to present contemporary music from all over the world without any bias toward any georgraphical area, or any aesthetic, national … (et cetera) … persuasion’. (article 26e) However, before getting too exercised, one should remember that the ISCM itself contributes nothing towards the running of the festival! Under this condition, it is lucky if any festival at all occurs.”
–John McLachlan, “World Music Days, Yokohama, Japan 2001,”
World New Music Magazine 12 (November 2022), p. 65.
“Usually such festivals permeate the concert halls of the host city, sometimes even venturing far beyond city limits . . . In Yokohama, however, the opening and closing events of the festival (as well as the sushi party and tea ceremony for the New Music folks) were all held within the premises of the same high-rise establishment, almost as if to signal that the proud guild of Japanese musicians was under risk of contamination from a human species inclined towards strange sounding music.”
–Richard Oelschlägel (translated from German by Oliver Schneller),
“In a Japanese Seaport: The ISCM-World Music Days in Yokohama,”
World New Music Magazine 12 (November 2022), p. 69.
“[T]he generic complex in which we were based (hotel, concert halls, meeting room, plus all the shops one could possibly need) made it feel as if one could have been anywhere in the world — except for the sushi bar across the road, where the networking took place.”
–Michael Blake, “ISCM World Music and sushi Days in Yokohama,”
World New Music Magazine 12 (November 2022), p. 72.
Jury
Yori-Aki Matsudaira, chair
Toshi Ichiyanagi
Jō Kondō
Ichiro Nodaira
Matoko Shinohara
Joji Yuasa
Artistic Committee
Kunitaka Kokaji, Artistic Director
Hifumi Shimoyama
Toshio Nakagawa
Masataka Matsuo
Yori-Aki Matsudaira
Seiji Choki
Yukiko Tsubonou
Concerts
A total of 133 works were programmed during the 2001 ISCM WNMD in Yokohama. The following annotations explain how each of these works were selected for performance.
s***=selected by Jury (entry from sections/associate members) – 19 works
i***=selected by Jury (individual entry) – 24 works
s**=selected by Artistic Committee (entry from sections/associate members) – 6 works
i**=selected by Artistic Committee (individual entry) – 1 work
s*=work of Solo Pieces Exhibition (entry from member section) – 19 works
a*=nominated by Artistic Committee – 4 works
n***=exhibited from Japanese section # – 19 works
j**=work of Jury – 6 works
p**=recommended and commissioned by the sponsor – 7 works
p*=recommended by the performer – 4 works
n**=work of the active Japanese composers for ISCM in the past # – 4 works
t*=Japanese traditional music – 1 work
n*=work for JSCM festival concerts # – 19 works
# = correspond to contents of JSCM annual concerts
Wednesday, 3 October 2001, 14:00 – Hiroshi Koizumi & Ensemble Nomad (conducted by guitarist Norio Sato) “Welcome Concert” in the Small Hall of the Minatomirai Concert House
n** Yoritsune Matsudaira (Japan, 1907-2001): Somakusha [published as Somaksah] for solo flute (1961) [8′] ;
i** Sue Ya Wang (Taiwan, b. 1965): Huei gien go {Firefly} for two sopranos and flute (1997) [6′];
s** Salvador Torré (Mexico, b. 1956): Obsidian Mirror for flute, clarinet, violin, viola, violoncello, harp, and piano (1997) [11′];
i*** Olli Kortekangas (Finland, b. 1955): Arabesken der Nacht for guitar with clarinet, horn, violin, viola, violoncello, double-bass and percussion (1995) [10′];
s*** Iván Madarász (Hungary, b. 1949): Hímzett hangok {Embroidered Sounds} for soprano, flute, violin, synthesizer, and two bongos (1989) [10′];
s*** Jun Yamaguchi (Japan, b. 1967): A Garden with Turning Breezes No.1 for sho and six players (1997).
Wednesday, 3 October 2001, 18:00 – Organ & Wind Orchestra in the Main Hall of the Minatomirai Concert House
PART I “Spark between Tradition and Innovation”
(featuring performances by Kihu Mitsuhashi, shakuhachi; Naoyuki Manabe, sho; Keizo Mizoiri, contrabass; Momoko Kamiya, percussion; Yumiko Mizoiri, hichiriki; etc.)
t* Tsuru no Sugomori (A Crane In Its Nest) (traditional Japanese shakuhachi composition);
j** Jō Kondō (Japan, b. 1947): Novitas Mundi for solo organ (1998) [8′];
a* John Cage (United States, 1912-1992): Ryoanji (1983-85) [duration variable];
s*** Victor Rebullida (Spain, b. 1963): Oceánica for solo organ (1999) [10′] WORLD PREMIERE;
a* Masataka Matsuo (Japan, b. 1959): Sound Sound III for sho and doublebass (2000) [13′];
i*** David Vayo (United States, b. 1957): Prayer: In Memoriam Olivier Messiaen for solo organ (1992) [10′].
PART II “Festa for Wind Orchestra” featuring the Senzoku Gakuen College of Music Symphonic Wind Orchestra conducted by Yoshitomo Kawachi
s*** László Sáry (Hungary, b. 1940): In memoriam Igor Stravinsky for 24 winds (1981) [6′];
i*** Kunitaka Kokaji (Japan): Polkas, Tangos for brass band (1993) [9′];
p* Ottorino Respighi (Italy, 1879-1936) arranged by Genba Fujita (Japan, b. 1937; d. 2013): Pini di Roma (1924) [21′].
Thursday, 4 October 2001, 14:00 – Chamber music concert in the Small Hall
j** Yori-Aki Matsudaira (Japan, b. 1931; d. 2023): Gala (1990) [10′];
j** Ichiro Nodaira (Japan, b. 1953): Interlude No.1 ‘An Original Landscape’ (1992) & No.2 ‘In Memoriam T’ for solo piano (2003) [5′];
j** Toshi Ichiyanagi (Japan, b. 1933; d. 2022): Interrelation^;
j** Joji Yuasa (Japan, b. 1929; d. 2024): My Blue Sky No. 3 for solo violin (1977) [12′];
n** Toshiro Mayuzumi (Japan, 1929-1997): Bunraku for violoncello solo (1960) [8′];
n*** Taizō Hida (Japan, b. 1972): La mer est proche for alto saxophone, violin, and percussion (2002) [20′].
(^ Interrelation could either refer to an Ichiyanagi composition for cello and piano (I) from 1991 or a composition for violin and piano (II) from 1998.)
Thursday, 4 October 2001, 16:30 – Concert of JSCM Composer’s Award “New Horizon for Duo” in the Rehearsal Room of the Minatomirai Concert House
4 works performed (details about the repertoire are not available)
Thursday, 4 October 2001, 19:00 – Concert of JSCM Members “INDEPENDENT” in the Small Hall
7 works performed (details about the repertoire are not available)
Friday, 5 October 2001, 14:00 – Tape Works in the Reception Room of the Minatomirai Concert House
n** Toru Takemitsu (Japan, 1930-1996): (unlisted work);
n*** Mikako Mizuno [Japan): Die Doppelwendeltreppe for fixed media (2001);
s*** Jorge Antunes (Brazil, b. 1942): Hombres tristes y sin título rodeados de pájaros en noche amarilla, violeta y naranja for fixed media electronic sounds (1998) [9′].
(Following the presentation of these fixed media works David Francis (from the Performing Right Society in Britain) gave a lecture on the future of music rights.)
Friday, 5 October 2001, 16:30 – Electro-acoustic Concert in the Small Hall
(presented in collaboration with the Kunitachi College of Music Department of Music Design, Prof. Takayuki Rai)
s*** Lubomir Mitzev (Bulgaria, b. 1948; d. 2005): Kaleidoscope for viola and computer (1999);
i*** Uljas Pulkkis (Finland, b. 1975): Music for Clarinet and Doublebass (with electronic processing) (1999);
s*** Miguel Azguime (Portugal, b. 1960): De l’etant qui le nie for piano and live electronics (1998) [10′];
a* Takayuki Rai (Japan, b. 1954): Mirage for 17-string koto and live computer system (2000) [8′];
i*** Kaija Saariaho (Finland, b. 1952; d. 2023): Lonh for soprano and fixed media electronics (1996) [20′];
s*** Pedro Amaral (Portugal): Transmutations for piano and live electronics (1999) [18′].
Friday, 5 October 2001, 19:00 – Tokyo Philharmonic Orchestra (conducted by Kazuhiko Komatsu) in the Main Hall
i*** James Tenney (United States, b. 1934; d. 2006): Diapason for large string orchestra and 2 percussionists (1996) [17′] featuring Yasunori Yamagushi and Sumire Yoshihara, percussion;
s*** Doina Rotaru (Romania, b. 1951): Umbre I (Shadows I) for viola and orchestra (1990) [13′] featuring violist Yayoi Hasegawa;
n*** Naoko Kachi (Japan, b. 1964): The landscape of clouds for orchestra;
s*** Jukka Tiensuu (Finland, b. 1948): Alma III “Soma” for orchestra and sampler (1998) [9′].
Saturday, 6 October 2001, 11:30 – Piano Fest in the Small Hall
PART I Joint Recital by Kayako Matsunaga & Tatsuya Hayashi
n*** Yoko Kurimoto (Japan, b. 1951): Sounds in Response for solo piano (2000) [10′];
n*** Shigenobu Nakamura (Japan, b. 1950): deja vu for solo piano (1999) [15′];
a* Zygmunt Krauze (Poland, b. 1938): Refrain for solo piano (1993) [9′];
s*** Kevin Volans (South Africa, b. 1949; now based in Northern Ireland): Cicada for two pianos (1994) [26′].
PART II Recital of Satoshi Inagaki
i*** Helmut Lachenmann (Germany, b. 1935): Serynade for solo piano (1997-98; rev 2000) [c. 30′];
s*** Luke Stoneham (United Kingdom, b. 1966): Pour les cinq doigts for solo piano (1998) [8′];
i*** Richard Emsley (United Kingdom, b. 1951): for piano 2 for solo piano (1997) [7′];
s*** Kyu-Yung Chin (South Korea, b. 1948): In The Orient for solo piano (2000).
Saturday, 6 October 2001, 14:00 – Art Respirant (conducted by Akio Yasuraoka) in the Main Hall
(A Special Presentation by the Mirkk Art Forum)
n*** Nobukio Nakamata (Japan, b. 1932): Einst dem Grau der Nacht enttaucht… for clarinet, violin, marimba, and piano (1994);
i*** Bogusław Schaeffer (Austria, b. 1929 in Ukraine [then Poland]; d. 2019): SeaHarb for oboe and saxophone (2000) WOLRD PREMIERE;
i*** Yoshifumi Tanaka (Japan, b. 1968): Phi for flute/bass flute/piccolo, clarinet/bass clarinet, trumpet, viola, doublebass, and percussion (1999);
s*** Pierre-Yves Artaud (France, b. 1946): Chitra for flute and fixed media electronics (1996) performed by Artaud;
s*** Cecilie Ore (Norway, 1954): Nunquam Non for flute, English horn, bass clarinet, violin, viola, and violoncello (1999) [13′];
p** Thorsteinn Hauksson (Iceland, b. 1949): Glætur for clarinet, trumpet, violin, violoncello, piano, and percussion (2001) [10′] WORLD PREMIERE;
p** Bent Sørensen (Denmark, b. 1958): This Night of No Moon for 13 instruments {oboe d’amore, clarinet, French horn, trumpet, trombone, string quartet, doublebass, piano, and 2 percussionists} (1999) [10′].
Saturday, 6 October 2001, 18:30 – Concert for JSCM Members “INDEPENDENT” in the Small Hall
8 works performed (details about the repertoire are not available)
Sunday, 7 October 2001, 11:30 – “Contrabass Fest” Keizo Mizoiri and his Colleagues in the Small Hall
n*** Satoshi Suzuki (Japan, b. 1941): Essay III for solo doublebass (1985) [10′];
n*** ??? Komei Itoh (Japan): (new piece) WORLD PREMIERE;
n*** Kazuko Hayakawa (Japan, b. 1944): (new piece) WORLD PREMIERE;
n*** Harue Kunieda (Japan, b. 1958): Articulation for solo doublebass (2001) [8′] WORLD PREMIERE;
i*** Hyunkyung Lim (South Korea, b. 1967): La Lenteur for solo doublebass (1998);
s*** Hifumi Shimoyama (Japan, b. 1930; d. 2023): Shinkyō (Deep Sound) for 2 doublebasses (2000) [8′];
s*** Roger Tessier (France, b. 1939): Scène V for 4 doublebasses (1993) [3′];
i*** Bryn Harrison (United Kingdom, b. 1969): Sabdavidya for 4 doublebasses (1999) [8′] WORLD PREMIERE.
Sunday, 7 October 2001, 14:00 – “Children’s Future 2001” Concert I: “Music Plaza Created with Everyone” in the Main Hall
Producer: Katsuhiro Tsubonou;
Music Director: Yukiko Tsubonou
Recorder: Toshiya Suzuki
Performer: a large number of School Children in Yokohama etc.
(details about the repertoire are not available)
Sunday, 7 October 2001, 19:00 – Works for Japanese Traditional Instruments in the Small Hall
(featuring performances by Kifu Mitsuhaski, shakuhachi, and Nanae Yoshimura, 20-string koto)
n*** Ayako Murakumo (Japan, b. 1949): Toward my wishes;
i*** Peter Gahn (Germany, b. 1970): Reading Unicorn Skulls -The Town (Engraved Dreams) for koto (13-string), 4 hyoshigi players, clarinet, violin, and percussion (1999) [16′];
n*** Michiharu Matsunaga (Japan, b. 1927): Time of Winds, The Interval of Strings for tenor recorder (arr for shakuhachi?) and koto (1993) [13′];
i*** Chaya Czernowin (Israel, b. 1957; based in the United States): Die Kreuzung for alto-shô , alto saxophone, and doublebass (1995) [12′];
n** Yoshirō Irino (Japan, 1921-1980): Duo Concertante for shakuhachi and koto (1968) [9′];
p* Makoto Moroi (Japan, b. 1930; d. 2013): Five Pieces for shakuhachi chikurai (1964) [53′].
Monday, 8 October 2001, 13:00 – Phonosphere Musicale String Ensemble (conducted by Masataka Matsuo) in the Main Hall
n*** Shōkō Natsuda a.k.a. Woo Jong-gap (Japan, b. 1916 in South Korea; d. 2014): Ballade for violin and string orchestra II (only movements 2 [Inori] and 3 [Mai] (1981) [8′];
i*** Massimo Biasioni (Italy, b. 1963): Di rimembranti raggi lunari for string orchestra (1988 rev 1997) [10′];
n*** Noriko Hisada (Japan, b. 1963): Pursuit for violoncello and string orchestra (1995) [12′];
i*** Thomas Simaku (United Kingdom, b. 1958 in Albania): Plenilunio for 12 solo strings [7 Violins, 2 Violas, 2 Violoncellos, and doublebass] (1998) [9′];
i*** Harue Kondoh (Japan, b. 1957): Aria for shakuhachi and string orchestra (1999) featuring Kifu Mitsuhashi.
Monday, 8 October 2001, 16:00 – “Children’s Future 2001” Concert II: “Workshop Concert” in the Small Hall
Katsuhiro Tsubonou, producer;
Yukiko Tsubonou, music director;
Akiko Nishigata, shamisen;
Institute of Japanese Traditional Music
Plus a large number of School Children in Yokohama etc.
(details about the repertoire are not available)
Monday, 8 October 2001, 19:00 – The Barton Workshop (from The Netherlands) in the Main Hall
p* Frank Denyer (Netherlands, b. 1943 in the United Kingdom): (unlisted piece?);
s** Martin Marek (Czech Republic, b. 1956; d. 2014): Voce taciturna for solo violoncello (2000) [8′];
s** Mikael Edlund (Sweden, b. 1950): Solo for Violin (1997) [17′];
n*** Norio Fukushi (Japan, b. 1945): (new piece);
p* James Fulkerson (Netherlands, b. 1945 in the United States): (unlisted piece?);
i*** Satoshi Minami (Japan, b. 1955): OBI/che ti gira? for flute, violoncello, and piano (1998) [15′];
s** Ricardo Nillni (Argentina, b. 1960): Twist for flute, clarinet, violin, violoncello, and piano (1999) [11′].
Tuesday, 9 October 2001, 16:30 – “Electone Fest” in the Small Hall
(presented in collaboration with Yamaha Electronic Instruments)
n*** Tomoko Kusunoki (Japan, b. 1949): Mode Conversion Fugue for electone (2001) performed by Koichi Tachibana;
p** Peter Hoch (Germany, b. 1937): 4 works from Autumn “The music of leaves falls on us” for electone and narration (1992-93) performed by Kayo Nitta with narration by Seiko Yumi and the composer;
p** Lo Hau-Man (China-Hong Kong, b. 1965): Fading Colors for electone (2001) performed by Kaoru Shibata WORLD PREMIERE;
p** ??? Hwang-Long Pan (Taiwan, b. 1945): Karma (Cheang-Tzu: Giant Tree) for soprano, electone and percussion (2001) performed by: Lin Yuqing, soprano; Yu Shi Ting, electone; and Wang Soi (Percussion) – WORLD PREMIERE;
p** June Hee Lim (Korea, b. 1959): Salbri-Electri for traditional dance and electone and percussion (2001) performed by Gen Qiong (electone) and Zhang Issho (percussion) with dancer Hayashi Incho WORLD PREMIERE;
p** Masakazu Natsuda (Japan, b. 1968): Gamelaphony (I) for two electones (1998) performed Sachiko Umezu and Genta Utsumi;
p** Richard Grayson (United States, b. 1941; d. 2016): for Reflection ELX-1 for electone (2001) performed by the composer WORLD PREMIERE.
Tuesday, 9 October 2001, 19:00 – Toho Gakuen University Orchestra (conducted by Kazufumi Yamashita) in the Main Hall
s*** Milko Kelemen (Croatia, b. 1924; d. 2018): Delicate Clusters for orchestra (1997) [20′];
n*** Akira Kobayashi (Japan, b. 1960): Crystallization for harp and orchestra (1997) featuring harpist Ayako Shinozaki;
i*** Gilles Tremblay (Canada, b. 1932; d. 2017): Traversée for flute and orchestra (1996) [19′] featuring Takahide Tanaka;
i*** Atsuhiko Gondai (Japan, b. 1965): Father Forgive~The litany of Reconciliation~+ in Paradisum (1998) [13′] featuring narration by Orren Tanabe.
Wednesday, 10 October 2001, 13:00 – Quartet Excelsior in the Small Hall
s*** Hiroyuki Yamamoto (Japan, b. 1967): Eve I for string quartet (1997) [12′];
s*** Óscar Carmona (Chile, b. 1975; currently based in Germany): String Quartet (1998-2001) [10′] WORLD PREMIERE;
i*** Juan Campoverde Q. (United States, b. 1964 in Ecuador): Torus for string quartet (1997-98);
n*** Katsuhiro Oguri (Japan, b. 1962): String Quartet No. 3 ‘Responsorium’ (1999) [12′] WORLD PREMIERE;
s*** Franz Martin Olbrisch (Germany): Ein Quadratmeter Schwärze for string quartet (1999) [19′].
Wednesday, 10 October 2001, 16:00 – Solo Works in the Small Hall
s* Carlos Javier Levin Echeverri (Uruguay, b. 1954): Pieza en cuatro for solo piano (2001) [6′] WORLD PREMIERE;
s* Bart Vanhecke (Belgium [Flanders], b. 1964): Les racines du monde for solo piano (1998) [8′];
s* Christina Viola Oorebeek (Netherlands, b. 1944 in the United States): Tremors and Quakes (1998) [11′];
s* Seóirse Bodley (Ireland, b. 1933): “A Walk to the Post Office” from News from Donabite for solo piano (1999);
s* Chan Wing Wah (China-Hong-Kong, b. 1954): Timer for solo piano (1987) [10′];
s* Karmella Tsepkolenko (Ukraine, b. 1955): Solo-solissimo for violin (1999) [7′];
s* Menachem Zur (Israel, b. 1942): Cadenza for violin solo (1997) [7′] performed by Eun-Hye Yoo;
s* Ghenadie Ciobanu (Moldova, b. 1957): From Songs and Dances of Melancholic Moon for clarinet and percussion ^;
s* René Hemmer (Luxemburg, b. 1919; d. 2019): Solitaire for solo violoncello (1995) [7′];
s* Mathias Steinhauer (Switzerland): Phantasos (or Pavarotti’s Dream) for flute solo (1999) [5′];
s* Lojze Lebič (Slovenia, b. 1934): Od Blizu In Daleč {From near-by and far away} for recorders (1991) [23′];
s* Vyacheslav Kuznetsov (Belarus, b. 1955): Ritualis for trombone solo (2000);
s* Rashid Kalimoullin (Tatarstan [Russian Federation], b. 1957): Fantasie for oboe solo [6′];
s* Dušan Bogdanović (United States, b. 1955 in Serbia [Yugoslavia]): Lento et Toccata for solo guitar (1972-78) [9′];
s* Vytautas Germanavičius (Lithuania, b. 1969): Eos for tuba solo (1995) [9′];
s* ??? (Australia): (information not available at the time the booklet was printed);
s* ??? (Slovakia): (information not available at the time the booklet was printed);
s* ??? (Venezuela): (information not available at the time the booklet was printed);
s* ??? (Austria): (information not available at the time the booklet was printed);
p* In-Ho Park (South Korea, b. 1956): Gestalten IV for clarinet, violin, and piano (1995) [12′];
(^ NOTE: Ghenadie Ciobanu’s composed many duo pieces with the title From Songs and Dances of Melancholic Moon between 1997 and 2005; the work that was played on this concert would most likely have been either From Songs and Dances of Melancholic Moon 2 for clarinet and “unpitched” percussion [playing temple block, 3 suspended cymbals, 2 bongos, 2 tom-toms, and gong (1997) [4′] or From Songs and Dances of Melancholic Moon 3 for clarinet and marimba (2000) [7′].)
Wednesday, 10 October 2001, 19:00 – FINAL CONCERT: Ensemble Tokyo COmeT (conducted by Kunitaka Kokaji) in the Main Hall
j** Makoto Shinohara (Japan, b. 1931; d. 2024): Kyudo A ‘In Quest of Enlightenment’ for solo shakuhachi (1973) [10′] performed by Teruhisa Fukuda;
i*** Jonathan Harvey (United Kingdom, b. 1939; d. 2012): Wheel of Emptiness for flute/alto flute/piccolo, oboe, clarinet/bass clarinet, bassoon/contrabassoon, French horn, trumpet, trombone, string quartet, doublebass, 2 keyboards (piano and samplers), and 2 percussionists (1997) [16′];
s*** Paul Steenhuisen (Canada, b. 1965): Bread for flute, oboe, clarinet, trombone, tuba, strings, piano two percussion, and fixed media (1999) [9′];
n*** Toshiya Watanabe (Japan, b. 1974): Echoing (2001) [14′] WORLD PREMIERE;
i*** John Palmer (United Kingdom, b. 1959): Koan for solo shakuhachi with flute/alto flute, oboe/English horn, clarinet/bass clarinet, string trio, piano, and percussion (1999) [24′] featuring Teruhisa Fukuda.
Plus, nine days after the end of the festival, there was an additional concert performed by the Tokyo Philharmonic on Friday, 19 October 2011 at Tokyo Opera City Concert Hall presented in cooperation with JSCM as part of the Pan-Pacific Composers Series featuring the world premiere of The Anthems for the New Century which consisted of eight movements written by eight different composers
Masataka Matsuo;
Kyu-Yung Chin;
Diego Luzuriaga (Ecuador, b. 1955);
Julian Yu (Australia, b. 1957 in the People’s Republic of China);
Zhou Long (United States, b. 1953 in the People’s Republic of China);
Lance Hulme (Unted States, b. 1960);
Chinary Ung (United States, b. 1942 in Cambodia);
Ignacio Baca-Lobera (Mexico, b. 1957).
The jury also recommended the following works but they unable to be programmed during the festival:
s*** Johannes Schöllhorn (Germany, b. 1962): tiento for solo guitar plus flute, bass clarinet, trumpet, trombone, violin, violoncello, and piano (1999) [10′];
s*** Robert HP Platz (Germany, b. 1951): up down strange charm for clarinet/bass clarinet, bassoon, sho (or accordion), string quartet, doublebass, harp, piano, and percussion (1996-98) [15′];
s*** Richard Barrett (United Kingdom, b. 1959): Trawl for flute, bass clarinet, violin, violoncello, and piano (1994-97) [11′];
i*** Masakazu Natsuda: West, or Evening Song in Autumn for soprano saxophone and percussion (1996) [12′];
i*** Kazuhiko Suzuki (Japan, b. 1967): hinge for flute, clarinet, trumpet, harp, piano, and string trio (1996) [10′];
i*** Karen Tanaka (United States, b. 1961 in Japan): Frozen Horizon for flute, percussion, and string quartet (1998) [9′];
s*** Theodor Grigoriu (Romania, b. 1926; d. 2014): String Quartet No. 2 ‘On the River Argeș’ (1953) [24′].
Sources
Michael Blake, “ISCM World Music and sushi Days in Yokohama,” World New Music Magazine 12 (November 2022), pp. 72-73.
Hau-man Lo, “Music of the Future,” World New Music Magazine 12 (November 2022), p. 71.
John McLachlan, “World Music Days, Yokohama, Japan 2001,” World New Music Magazine 12 (November 2022), pp. 65-68.
Richard Oelschlägel (translated from German by Oliver Schneller), “In a Japanese Seaport: The ISCM-World Music Days in Yokohama,” World New Music Magazine 12 (November 2022), pp. 69-70.
In addition, the repertoire information above was compiled from listings that were posted to the website of one of the composers whose music was featured on the festival, the late Richard Grayson, Professor of Music, Emeritus, at Occidental College in Los Angeles CA.
(annotated by Frank J. Oteri, in progress)