ISCM WMD in Estonia aims at introducing contemporary music in its diverse forms of manifestation. The festival mainly focuses on choral music in its various expressions of genre and style. On the other hand, the festival concentrates on the experiments between music and other fields of art, including the intersections between music and architecture, theatre, audiovisual art and literature. Therefore, we are inviting composers and sections to propose musical work dealing with the abovementioned themes while reflecting contemporary music in as rich and extensive spectrum as possible.
From contemporaneous reviews
“So who is World Music Days for, and what purpose does it serve? The ISCM has the capacity to break contemporary music out of its often insular space by bringing an international festival of contemporary artists to a new city every year. However, the logistics of the programming were anything but accessible for audience members. World Music Days unfolded at an uncomfortably frenetic pace, with concerts lasting an average of 90 minutes or more, sometimes bleeding into the next event, and requiring audiences to run from one venue to the next with no time for meals. Every performance I attended was a traditional sit-down concert in a fairly standard performance space that adhered to the typical pageantry of concert music—no prefatory remarks, no engagement with the audience, just a one-way dialogue.
“If World Music Days isn’t primarily for outside audiences, is the goal of the festival to simply allow composers to gather and have their works played for each other? This seems short-sighted and will only push the ISCM toward becoming obsolete, especially if future festivals continue to exclude and marginalize entire communities of artists. Correcting these inequities starts with putting socially conscious people in leadership positions.”
“Frank Brickle reported on another standout work offered in Tallinn, Estonia, where ISCM World Music Days is unfolding:
“Katherine Bergman’s work for wind band was an, ‘unusual take on an ensemble that’s easy to use in a hackneyed way. Shows influence of current American post-minimal techniques without being obviously imitative.’
“’I am as pleased as can be about being blindsided by the pieces by the two young composers’ [Yulan Qiu and Katherine Bergman.]
“It is worth explaining that the selection process for ISCM submissions often results in the safest selections–the most safely modernist or the most safely post-minimalist, the most safely entrenched.”
“The best festivals are arranged in such a way that it’s possible to attend most, even all, of the concerts and still have sufficient time to get from place to place with an opportunity for refreshments en route. At this year’s WMD that was often completely impossible. Whereas a typical EMD concert lasts around an hour, most of the WMD concerts were up to two hours long – seemingly to the surprise of the festival organisers, though considering how crammed many of the concerts were it could hardly have been that unexpected – resulting in mad dashes to get from one venue to another, sometimes over reasonably long distances. The gap between concerts was often barely a few minutes, and on one occasion an event finished six minutes after the next was scheduled to begin. This was my first experience of a World Music Days, and so i have no idea whether this kind of overwhelming, torrential slog is typical (it certainly can’t be desired); either way, while there was of course a huge amount to experience and enjoy, i’ve never been as exhausted by a festival as i was by this.”
Thursday, 2 May 2019, 21:00 – Opening Concert at The Seaplane Harbour Tatjana Kozlova-Johannes (Estonia, b. 1977): Lagunemise ilu (The Beauty of Decay) (2019) [70′] [world premiere] performed by Anna-Liisa Eller, Merje Roomere, Kristin Kuldkepp, and children from the dance class of St. John’s School
Friday, 3 May 2019, 17:00 – Norrbotten NEO (Sweden) at the Estonian National Opera Chamber Hall Isabel Urrutia (Spain [Basque Region], b. 1967): MadUren malkoak (MadU’s tears) for mezzo soprano, bass clarinet, violin, viola, cello and piano (2016) [8′] Costas Tsougras (Greece, b. 1966): Monograms, trio for clarinets, cello and piano (2017) [7′] Mirjam Tally (Estonia, b. 1976): The Turn for alto flute, clarinet, violin, viola, cello and percussion (2017) [11′] Wolfgang Rihm (Germany, b. 1952): Über die Linie VI alto flute, violin and cello (2004) [18′] Mikael Edlund (Sweden, b. 1950): The Lost Jugglery for mezzo soprano, percussion, piano and cello (1974-77) [17′] (previously performed during the 1978 ISCM WMD)
Saturday, 4 May 2019, 15:00 – Ensemble Una Corda (Estonia) at the Estonian Academy of Sciences Maria Kõrvits (Estonia, b. 1987): Öö (Night) for harp, harpsichord and kannel ad lib (2019) [11′] [world premiere] Hugo Vasco Reis (Portugal, b. 1981): Metamorphosis and Resonances for harp solo (2017) [6′] Margareta Ferek-Petrić (Croatia, b. 1982): Ištaratu for harpsichord (2016) [6′] Pekka Jalkanen (Finland, b. 1945): November for three Finnish kantele (2016) [15′] Mirjam Tally (Estonia, b. 1976): Voolujoon (Streamline) for chromatic kannel, harp, and harpsichord (2012) [8′]
Saturday, 4 May 2019, 20:30 – Shadow Art (Sirje Viise, soprano; Monika Mattiesen, flute; Tammo Sumera, electronics) at Sakala 3 Elis Hallik (Estonia, b. 1986): Doch manchmalerhellt sich die Seele, wenn sie frohe Menschen denkt, dunkelgoldene Frühlingstage (Yet sometimes the soul brightens when it ponders joyful people, dark golden days in spring) for flute, soprano, and real-time electronics [text: Georg Trakl] (2019) [world premiere] Paul Clift (Australia, b. 1978): Shadow Art II for flute, voice and real-time electronics (2017/18) [11′] Simon Steen-Andersen (Denmark, b. 1976): Difficulties putting it into practice for two amplified performers (2007/2014) [12′] Yinong Xie (People’s Republic of China, b. 1994): Chaotic Particles for fixed media (2017) [4′] Daniel Soley (United Kingdom [Wales], b. 1995): Socialite for video and electronics (2016) [4′] Pei-Fen Huang (China [Taiwan], b. 1967): Lang Lao for 4-channel fixed media (2018) [8′] Evelyn Frosini (Argentina, b. 1983): Samoafor fixed media (2016) [6′] Gilles Gobeil (Canada, b. 1954): Sous l’écorce des pierres – promenadefor fixed media (2016-17) [14′]
Sunday, 5 May 2019, 18:00 – Tallinn Chamber Orchestra conducted by Risto Joost at the Tallinn Philharmonic Society House of Blackheads, White Hall Liisa Hirsch (Estonia, b. 1984): Lõuend (Canvas) for string orchestra (2019) [10′] [world premiere] Jaan Rääts (Estonia, b. 1932; d. 2020): Concerto for chamber orchestra No. 2 Op. 78 (1987) [12′] Adam Porębski (Poland, b. 1990): Semi-Ouverture for string orchestra (2012) [8′] Adrián Demoč (Slovakia, b. 1985): Struny: steny, zhluky, sny (Strings: Walls, Cluster, Dreams) for string orchestra (2016/2018) [17′] DaeSeob Han (South Korea, b. 1977): Point Pooints Pooointss… for string orchestra (2017) [10′] Junghae Lee (Switzerland, b. 1964 in Japan): Sorimuni 2 for string orchestra (2016) [7′]
Sunday, 5 May 2019, 18:00 – Ensemble for New Music Tallinn at Kanuti Guild Hall Shai Cohen (Israel, b. 1968): Noumenon for flute, bass clarinet, percussion, string trio, electric guitar, and audiovisuals [9′] (2018) [world premiere] Max Vinetz (United States, b. 1996): here for flute, electric guitar and electronics (2017) [7′] Alexander Schubert (Germany, b. 1979): Star Me Kitten for singer, flexible ensemble, video and electronics (2015) [14′] Francesco Filidei (Italy, b. 1973): I funerali dell’Anarchico Serantini (The Funeral of Anarchico Seratino) for three or six musicians (2005-2006) [12′] Stefan Prins (Belgium [Flanders], b. 1979): Generation Kill – offspring 1 for percussion, violoncello, 2 musicians with game controllers, live electronics & live video (2012) [22′]
Monday, 6 May 2019, 15:00 – Estonian Police & Border Guard Wind Orchestra conducted by Hando Põldmäe at the Estonian National Museum in Tartu Marianna Liik (Estonia, b. 1992): Mets (Forest) for 6.1 surround system (2013) [8′] Margo Kõlar (Estonia, b. 1961): Sind kiidan hõiskehuulil (With Singing Lips My Mouth Will Praise You) for wind orchestra (2018) [5′] Yasuhiro Miyake (Japan, b. 1972): Propeller Plane for wind ensemble (2016/2018) [7′] Ardo Ran Varres (Estonia, b. 1974): The Tragedy of the Commons for wind orchestra (2019) [6′] [world premiere] Ostap Manulyak (Ukraine, b. 1983): Oracle for wind quintet (2014) [6′] performed by Andres Maamees (flute), Kadri Karatšev (oboe), Ivar Säde (clarinet), Rodion Matvejev (French horn), Kristjan Kungla (bassoon) Jukka-Pekka Lehto (Finland, b. 1958): Kunniavelka (Debt of Honour) (2004) Tauno Aints (Estonia, b. 1975): Üks vana lugu (An Old Piece) for wind orchestra (2009) [9′] Katherine Bergman (United States, b. 1985): Dream Machine for wind ensemble (2016) [7′] Rein Rannap (Estonia, b. 1953): Mõõk mõõga vastu (The Battle) for wind orchestra (2011) [5′] Malle Maltis (Estonia, b. 1977): Maanteelt leitud muusika (Music from a Highway) for wind ensemble and traffic sounds (2016) [world premiere] Olav Ehala (Estonia, b. 1950): Maa ja ilm (The Wide World Begins in a Small Land) (2011) [6′]
Tuesday, 7 May 2019, 16:00 – Naoko Kikuchi (koto, Japan) and Kristi Mühling (Estonian chromatic kannel) at the Arvo Pärt Centre, Laulasmaa Märt-Matis Lill (Estonia, b. 1975): April is in my mistress face for kannel and koto (2019) [world premiere]
Japanese traditional song (?) John Buckley (Ireland, b. 1951): Alla luna for solo kannel (2014) [8′] Daryl Jamieson (Japan, b. 1980 in Canada): Shakkeifor kannel and 17-string koto (2015) [10′] Liza Lim (Australia, b. 1966): Burning House for koto and voice [Text: Izumi Shikibu (974?–1034?)] (1995) [11′] Violeta Dinescu (Romania, b. 1953): Am Berge von Yoshino (On the Mount Yoshino) for kannel and koto (2017)
Tuesday, 7 May 2019, 20:00 – Vox Clamantis conducted by Jaan-Eik Tulve at St Mary’s Cathedral, Tallinn Jakob Tulve (Estonia, b. 1995) and Nathan Tulve (Estonia, b. 1996): Litania for vocal ensemble and electronics (2017/2019) Evelin Seppar (Estonia, b. 1986): Seesama meri (The Same Sea) [text: Jaan Kaplinski] for vocal ensemble (2019) [5′] [world premiere] Tõnis Kaumann (Estonia, b. 1971): Ave maris stella for vocal ensemble (2019) [4′] [world premiere] Fang Fang (People’s Republic of China, b. 1984): Dreams for amplified bass flute solo (2015) [9′] performed by Monika Mattiesen Karen Tanaka (United States, b. 1961 in Japan): Sleep Deeply [text: Michael McGlynn] for vocal ensemble (2018) [4′] Jessica Meyer (United States, b. 1974): Ring Out, Wild Bells for chorus and field recording (2017) [7′] Paul Stanhope (Australia, b. 1969): Agnus Dei (Do Not Stand at My Grave and Weep) [text: Mary Elizabeth Frye] for vocal ensemble (2016) [8′] María Eugenia Luc (b. 1958, Argentina): Exaudi for vocal octet [Text: Book of Psalms] (2014) [9′] Jüri Reinvere (Estonia, b. 1971): t.i.m.e. for flute and electronics (2005) [13′] performed by Monika Mattiesen (flute) and Jakob Tulve (electronics) Arvo Pärt (Estonia, b. 1935): Ja ma kuulsin hääle … (I heard a voice …) for mixed choir a cappella (2017) [5′]
Wednesday, 8 May 2019, 19:00 – Estonian National Male Choir (RAM) conducted by Mikk Üleoja + Yxus Ens at Kultuurikatel aka Tallinn Creative Hub Nan Liang (People’s Republic of China, b. 1988): Qin Opera in the Mountains I for viola solo (2016) [7′] Kristjan Kõrver (Estonia, b. 1976): Corde for string quartet (2019) [7′] [world premiere] Vladimir Agopov (Finland, b. 1953): Prayer for male choir a cappella (2017) [8′] [world premiere] Vladimir Hrovat (Slovenia, b. 1947 in Croatia): Človek ni sam (Man’s Not Alone) for male octet or choir (2008) [6′] Francisco Alvarado (Chile, b. 1984): wie die zarten Blüten im Winter (Like Fragile Blossoms in Winter) for string quartet (2016-17) [8′] Onutė Narbutaitė (Lithuania, b. 1956): just strings and a light wind above them for string quartet (2018) [11′] Tõnu Kõrvits (Estonia, b. 1969): Laulud Dolorese lauluvihikust (Songs from Dolores’s Songbook) (2016) [21′] Kristine Tjøgersen (Norway, b. 1982): Mistérios do Corpo for string quartet and video (2017) [10′] Veljo Tormis (Estonia, 1930–2017): Pikse litaania (Litany to Thunder) for tenor, baritone, male choir and gran cassa (1973) [5′]
Thursday, 9 May 2019, 16:30 at Resonart Stuudio Manuel Lima (Brazil, b. 1981): The Red Cube – light and sound installation (2016)
Thursday, 9 May 2019, 19:00 – Girls Chorus Ellerhein + Hortus Musicus in the Glass Hall at the Tallinn Song Festival Grounds Arvo Pärt: Fratres – three-part music without fixed instrumentation (1977) [11′] Lauri Jõeleht (Estonia, b. 1974): Cantus for early music ensemble (2019) [6′] [world premiere] René Eespere (Estonia, b. 1953): Sententiae veteres (Ancient Aphorisms) for tenor, two baritones and early music ensemble (2011) [9′] Alice Ping Yee Ho (Canada, b. 1960 in Hong Kong): Begin for girls’ choir [text: Tanis Rideout] (2018) [7′] Vanessa Lann (Netherlands, b. 1968 in the United States): The Bird That Was Trapped Has Flown [text: James Robertson] for solo soprano, female vocal ensemble, nyckelharpa, and harpsichord (2016) [5′] Liisa Hõbepappel (Estonia, b. 1994): Leviatan. Päike laskus läbi taevaruumi (Chorales) [Text: Liidia Tuulse] (2018/2019) [world premiere] Tõnis Kaumann (Estonia, b. 1971): Credo for three vocal soloists and early music ensemble (2018) [10′]
René Eespere: De speculo for girls’ choir and early music ensemble (2019) ‘[10’] [world premiere]
Friday, 10 May 2019, 19:00 – Closing Concert: Estonian Philharmonic Chamber Choir and the Tallinn Chamber Orchestra conducted by Kaspar Mänd at St. John’s Church Tímea Maščáková (Slovakia, b. 1998): Nezábudka (Forget-me-not) for choir and string orchestra (2018) [10′] Tarmo Lepik (Estonia, 1946–2001): Hälli maailm (Cradle’s World) for soprano, alto and mixed choir (1980) [7′] David Fennessy (Ireland, b. 1976): Hirta Rounds for 16 strings (2015/2016) [12′] Ruta Paidere (Latvia, b. 1977; now living in Germany): Tempera for string orchestra (2012) [15′] Galina Grigorjeva (Estonia, b. 1962 in Crimea [then Ukraine SSR]): Tsaarinna Jevdokia nunnaks pühitsemise laul (Song on the Occasion of Czarina Yevdokia Taking the Veil) for string orchestra (2002) [11′] Ester Mägi (Estonia, b. 1922; d. 2021): Mõtisklused (Meditations) for mixed choir [text: Anton Hansen Tammsaare] (1978) [5′] Lepo Sumera (Estonia, 1950–2000): Concerto per voci e strumenti for mixed choir and string orchestra (1997) [18′]
Friday, 10 May 2019, 21:00 – IMPROTEST at Kanuti Gildi Hall Improvisers: Jeff Kaiser (United States, b. 1961) – trumpet, electronics Tristan Carter (New Zealand, b. 1988) – violin Florian Zwißler (Germany, b. 1976) – modular synthesizer Taavi Kerikmäe (Estonia, b. 1976) – keyboards, electronics Mart Soo (Estonia, b. 1964) – guitar
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Société internationale pour la musique contemporaine