The COVID-19 pandemic has made online activity more crucial than ever before by hindering numerous live events, many concerts included. Now is the right time to strengthen the online presence of contemporary music!
The goal of the project is to foster presence and coverage of contemporary music online via social media. We should not bear with just being overshadowed by popular and commercial music. Instead, let’s tease and entertain an audience looking for a new musical experience into getting acquainted with the best contemporary music available.
We hope that our social media project will, in its small way, help to motivate accessible discussions online, keeping our community more engaged. We also hope that our Facebook Showcases will build bridges between different types of contemporary music, composed and performed in various regions of the World.
We look forward to making available internet wide all this exciting music and to nurturing a new audience for it!
– Irina Hasnas
[Ed. note: All ISCM Sections and Associate Member Organizations in good standing are invited to submit up to 6 works by composers in their region to be considered for inclusion in this newly launched ISCM Virtual Collaborative Series. There will be a new work posted every day during the first week of the launch and thereafter new works will be posted on an ongoing basis. Please come back to this site often to listen in as new works are added or to listen again to works that have already been posted. – FJO]
Leung Pak-hei: Marshmallow Dusktime
Leung Pak-hei a.k.a. Alvin Leung (b. 1997) was born and raised in Hong Kong. His compositions have been presented in the U.S., U.K., Italy, Japan, Taiwan and Hong Kong by music groups such as Transient Canvas, the Rhythm Method String Quartet, Rosetta Contemporary Ensemble, Duo Zonda, Trio Mythos, Resonance, Stellar Trio, Music-Joint Association, Hong Kong…
Iris Szeghy: Vielleicht, dass uns etwas aufginge
Iris Szeghy (b. 1956) is a Slovak composer of Hungarian ancestry currently based in Switzerland. According to Slovak composer Peter Zagar, who wrote the entry for Szeghy in A Hundred Slovak Composers (Eds. Marián Jurík, Peter Zagar. Bratislava : National Music Centre Slovakia, 1998): “Szeghy’s work hitherto as a whole is remarkable for the quantity…
Alexander Voltz: Curtain!
Alexander Voltz (b. 1999) takes inspiration from myth, politics and history. His music has been performed and supported by the Melbourne Symphony Orchestra, Opera Queensland, Australian National Academy of Music, Flinders Quartet, Australian Youth Orchestra, Queensland Youth Orchestras, The University of Queensland and others and he is currently Emerging Composer-in-Residence with Camerata – Queensland’s Chamber Orchestra. His…
Katherine Bergman: Dream Machine
Katherine Bergman (b. 1985) is a Minnesota-based composer who draws on literature, environmentalism, and found materials to create music that has been described as hypnotic and visceral. She has received commissions and performances from leading ensembles and festivals throughout the United States, including Zeitgeist, Encore Wind Ensemble, the Gustavus Wind Orchestra, Zeitgeist, Seen/Heard Trio, the…
Oren Boneh: Her Majesty the Fool
Composer and trumpeter Oren Boneh (b. 1991) writes music characterized by its energy and dynamism. As described by Le Monde, his works are distinguished by a “constant tension between two opposing poles – one civilized and the other savage.” The music plays with listener expectations of the characters’ behaviors in order to create unpredictability and friction. Oren’s music…
Katharina Klement: Peripheries
Katharina Klement (b. 1963 in Graz, Austria) is a composer-performer in the field of notated and improvised, instrumental and electronic music. Her instrumental and electronic compositions emphasize spatial conceptions and crossover projects combining music, text, video, and performance art. She has a particular interest in extended playing techniques on the piano. A founder and member…
William Blank: Reflecting Black
William Blank, born in Montreux in 1957, is active as both a composer and a conductor. He is currently responsible for contemporary music at the Music Academy HEMU in western Switzerland, where he directs the Ensemble Contemporain and teaches composition and analysis. Blank’s compositions are performed throughout Europe and in the USA and Japan, in…
Sungji Hong: Shine
Sungji Hong (b. 1973 in South Korea) is an assistant professor of composition at the University of North Texas. Her compositions include works for solo instruments, orchestra, chorus, ballet and electroacoustic media with special interest on timbre and pre-determined pitch structures. Her musical language is colorful with a wealth of imagery and exquisite delicacy. In…
Maria Lazaridou: Lament for Theodore Antoniou
Maria Lazaridou (b. 1969 in Thessaloniki, Greece) studied classical guitar with Evaggelos Assimakopoulos and Loukia Samourka, advanced music theory with Yiannis Aggelakis (Harmony), Kostas Grimaldis (Counterpoint and Fugue) and Leontios Hadjileontiadis (Composition). In 2000, she graduated from classical guitar class with honors, while in 2012 she completed her studies in composition with honors.She is a…
Julian Yu: Philopentatonia
Julian Yu (born in Beijing in 1957 and based in Australia since 1985) studied composition at the Central Conservatory of Music in Beijing, later joining the teaching staff there, and from 1980 to 1982 studied at the Tokyo College of Music with Joji Yuasa and Schin-ichiro Ikebe. In 1988 Julian Yu was a Composition Fellow…