Jury
Cristóbal Halffter
Miloslav Kabeláč
Ingvar Lidholm
Witold Lutosławski
Ivo Malec
Concerts
Saturday, 21 September 1968 – Warsaw Philharmonic at the National Philharmonic Concert Hall conducted by Andrzej Markowski
Ton de Leeuw (Netherlands, b. 1926; d. 1996): Symphonies of Wind Instruments (1963) [18′];
Krzysztof Penderecki (Poland, b. 1933; d. 2020): Capriccio for Violin and Orchestra (1967) [12′] featuring Wanda Wiłkomirska;
Friedrich Cerha (Austria, b. 1926; d. 2023): Spiegel I for orchestra (1960/61) [12′] [WORLD PREMIERE];
György Ligeti (Austria, b. 1923 in Romania; d. 2006): Requiem for soprano, mezzo-soprano, chorus, and orchestra (1963-65) [27′] featuring soprano Liliana Poli and mezzo-soprano Anna Malewicz-Madey.
Sunday, 22 September 1968 – Silesian Philharmonic Orchestra conducted by Karol Stryja
Agustin Bertomeu (Spain, b. 1929): Pantalán for orchestra (1967) [9′];
Günther Becker (West Germany, b. 1924; d. 2007): Stabil-Instabil for orchestra (1965) [12′];
Augustyn Bloch (Poland, b. 1929; d. 2006): Alejet, córka Jeftego (Ayelet, Jephthah’s Daughter) [text: Jarosław Iwaszkiewicz], opera-mystere, for narrator, soprano, baritone, chorus and orchestra (1967) [31′] with Adam Hanuszkiewicz (recitation), Halina Łukomska (soprano), Andrzej Hiolski (baritone), the Poznań Boys’ Choir, the Cracow Philharmonic Soprano Ensemble and the Silesian Philharmonic Chorus [WORLD PREMIERE].
Tuesday, 24 September 1968, evening – Katowice Radio Symphony Orchestra conducted by Mario di Bonaventura
Per Nørgård (Denmark, b. 1932; d.2025): Iris for orchestra (1966) [12′];
Hiroaki Minami (Japan, b. 1934): Banka for soprano and orchestra (1963) [12′] featuring soprano Ayako Kato;
Klaus Huber (Switzerland, b. 1924; d. 2017): Tenebrae for orchestra (1966/67) [20′] [WORLD PREMIERE].
Wednesday, 25 September 1968, evening – Chamber Orchestra of Polish Radio Katowice conducted by Gianpiero Taverna
Roger Reynolds (United States, b. 1934): Quick are the Mouths of Earth for chamber orchestra {3100;0120;2perc;pf;3vc} (1965) [19′];
Gerardo Gandini (Argentina, b. 1926; d. 2013): Cadencias II for chamber orchestra (1967);
Tadeáš Salva (Czechoslovakia [Slovakia], b. 1937; d. 1995): Canticum Zachariae for soprano and chamber orchestra (1963) [7′] featuring Irena Torbus-Mierzwiakowa [WORLD PREMIERE];
Carmelo Bernaola (Spain [Basque Region], b. 1929; d. 2002): Músicas de cámara for five instrumental groups (1967);
Harrison Birtwistle (United Kingdom [England]; b. 1934; d. 2022): Tragoedia for chamber orchestra (1965) [21′].
Thursday, 26 September 1968, afternoon **
Stanko Horvat (Yugoslavia [Croatia], b. 1930; d. 2006): Rondo for string quartet (1967) [12′] performed by the Warsaw String Quartet;
Miklós Kocsár (Hungary, b. 1933; d. 2019): Due lamenti [text: Federico García Lorca] for soprano and piano (1966-67), performed by Erika Sziklay and Pianist: Ádám Fellegi;
Karl-Erik Welin (Sweden, b. 1934; d. 1992): Manzit for clarinet, trombone, violoncello and piano (1962) performed by the Warsaw Music Workshop;
Vladan Radovanović (Yugoslavia [Serbia], b. 1932; d. 2023): Sferoon for fixed media electronic sounds (1960-64) [16′].
The following additional works were originally programmed but were not performed *
Antonio Tauriello (Argentina, b. 1931; d. 2011): Canti for violin and orchestra (1967);
Jacques Guyonnet (Switzerland, b. 1933; d. 2018): The Approach to the Hidden Man, op. 13, for mezzo-soprano and chamber orchestra (1967) [14′];
Fausto Razzi (Italy, b. 1932; d. 2022): Improvvisazione III for 2 sopranos, bass, and six instrumentalists (1967);
Karl-Birger Blomdahl (Sweden, 1916-6 June 1968): Altisonans for fixed media electronic sounds and video (1966) [1′] (This might have been presented during the 1969 ISCM World Music Days in Hamburg);
Olivier Messiaen (France, b. 1908; d. 1992): Et exspecto resurrectionem mortuorum for wind orchestra (1964) [c. 37′];
Kazimierz Serocki (Poland, b. 1922; d. 1981): Continuum for six percussionists (1966) [12′] (rescheduled and performed at the 1969 World Music Days);
Jacob Gilboa (Israel, b. 1920 in Czechoslovakia; d. 2007): Crystals for flute, viola, cello, piano/celesta, and percussion (1967) [6′] (also rescheduled and performed during the 1969 ISCM World Music Days where it was a world premiere);
Zbyněk Vostřák (Czechoslovakia, b. 1920; d. 1985): Kantáta na text F. Kafky, op. 34, [text: Franz Kafka] for chorus, winds, and percussion (1964) conducted by the composer (also rescheduled and performed at the 1969 Festival).
Notes
* According to Haefeli, the ISCM Swedish Section called for a boycott of the 1968 Festival in Warsaw as a result of the Polish military’s involvement in the Soviet invasion of Czechoslovakia in 1968, to which the sections of Argentina, Australia, Finland, Greece, the Netherlands, Iceland, Israel, Norway, Austria, Switzerland and Yugoslavia agreed, while the sections of Denmark, Japan, and the USA condemned the aggression but refrained from boycotting the Festival. As a result, many works scheduled to be performed were cancelled and an extraordinary general assembly was held in Baden-Baden in October 1968, since with 12 sections missing it proved to be impossible to garner the participation of all the delegates in Warsaw.
** The 26 September concert was the final concert to feature works that were programmed for the 1968 ISCM World Music Days though Haefeli lists the festival as concluding on 29 September. Slonimsky erroneously lists the remainder of the concurrent 1968 Warsaw Autumn festival concerts as part of the 1968 ISCM Festival, which they were not though undoubtedly some ISCM delegates who actually attended that year also attended these performances.
Sources
Ludwik Erhardt, “Tylko spokój może nas uratować,” Kultura 6/41 (13 October 1968), p. 10 [in Polish].
Anton Haefeli, Die Internationale Gesellschaft für Neue Musik (IGNM), Ihre Geschichte von 1922 bis zur Gegenwart (Atlantis Musikbuch-Verlag, 1982), b. 526-527 + footnotes on pp. 412 & 728 [in German] .
Lisa Jakelski, Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968 (University of California Press, 2017), particularly Chapter 6 “The Limits of Exchange,” pp. 139-164.
Józef Kański, “Pojesienne refleksje,” Trybuna Ludu, 5 October 1968 [in Polish].
Eigel Kruttge, “Das 42. Weltmusikfest der IGNM im Warschauer Herbst 1968,” Neue Zeitschrift für Musik 129/11 (1968), p. 474 [in German].
Nicolas Slonimsky, Music Since 1900, Sixth Edition edited by Laura Kuhn (Schirmer Reference, 2001), pp. 622-625.
Maja Trochimczyk, “1968—Operation Danube, ISCM, and Polish Music,” in Polish Music Since 1945, ed. Eva Mantzourani (Kraków: Musica Iagellonica, 2013), p. 89.
Jerzy Waldorff, “Czarna msza i mysz,” Świat 18/40 (6 October 1968), p. 10 [in Polish].
(annotated by Frank J. Oteri, in progress)