Collaborative Events
Svyatoslav Lunyov: Tristium (I, II, III)
Svyatoslav Lunyov (b. 1964 in Kiev, Ukraine) began his music education at the age of seventeen when he discovered the world of classical music. In 1986, he received a degree in engineering and was subsequently was recruited to serve in the military in Hungary for two years. In 1988, at the age of twenty four,…
Read MoreSabina Ulubeanu: Sheroes
Sabina Ulubeanu (b. 1979 in Bucharest) is one of the most complex artistic personalities of her generation, as her work comprises composition, photography, musicology, teaching, experimental performance, and directing a young international new arts festival. Ulubeanu sstudied piano at the George Enescu Music Highschool and then Composition at the National Music University of Bucharest, with…
Read MoreYevhen Stankovych: Ukrainian Poem
Yevhen Stankovych (born September 19, 1942) is a contemporary Ukrainian composer of stage, orchestral, chamber, and choral works whose music has been performed around the globe. Among his composition teachers were two of Ukraine’s most significant 20th century composers–Boris Lyatoshynsky and Myroslav Skoryk–with whom he studied at the Kyiv Conservatory from 1965 to 1970. He has…
Read MorePatrick Leterme: Lumières
Patrick Leterme (born 1981 in Verviers) studied at the Conservatoire Royal de Musique de Liège where he obtained First Prizes in Piano, Chamber Music and Harmony as well as a Bachelor’s Degree in Accompaniment Piano (Grand Distinction). He continued his studies at the Musikhochschule of Cologne where he completed a Zusatzstudium (Postmaster) in Liedbegleitung (Song…
Read MoreGalina Grigorjeva : Salve regina
Galina Grigorjeva, born in 1962 in Crimea, Ukraine, and now living in Estonia, has garnered international appreciation for the remarkably subtle and animated melodic style of her music. Her compositions are tightly linked to Slavonic sacred music as well as early European polyphony. Grigorjeva “orchestrates” polyphony with remarkable skill and grace, creating meaningful and beautiful…
Read MoreAnthony Cheng: Tunnel
Anthony Cheng (b. 1974) is an international composer based in Hong Kong and Europe. He sets his music career in multi-talented ways: as a songwriter, contemporary and film music composer, sound engineer and music producer. Cheng’s music consists of an eclectic inspiration of a variety of Western and Eastern influenced musical styles. Cheng completed a…
Read MoreStefania Turkevych: String Quartet
Stefania Turkewich (1898-1977), Ukraine’s first successful female composer, was also a pianist and musicologist. As a musicologist, she studied with Guido Adler in Vienna, and for her dissertation on the topic of Ukrainian folklore in Russian operas she received a doctorate in musicology in 1934 from the Ukrainian Free University in Prague. As a composer,…
Read MoreHaotian Yu: after Xin Qiji I
The music of Chinese-Canadian composer Haotian Yu (b. 1998) centers postcolonial experience through the specific cultural lens of Chinese tradition. In works for chamber ensemble, electronics, and Chinese instruments, objects of culture—instruments, performance practices, field recordings—are subject to a composed Foucauldian genealogy, in which sonic and conceptual analyses address the ideological and socio-functional dimensions of…
Read MoreDmytro Malyi: The Scomorokhs
Dmytro Malyi (b. 1987) is a Ukrainian composer, pianist, and teacher from Kherson. In 2007, he finished the Kherson Music School as a pianist, and in 2012 he completed his studies at the Kharkiv Kotlyarevskyi National University of Arts as a composer (under Professor Victor Muzhchyl) and a pianist (under Professor Volodymyr Ptushkin). After graduating…
Read MoreDina Smorgonskaya: Piano Trio ‘Dedication’
Dina Smorgonskaya (b. 1947) is one of Israel’s most prominent composers. Originally from Vitebsk, Belarus, which was then part of the USSR, Smorgonskaya emigrated to Israel in 1989 bringing with her a mastery of a broad spectrum of styles and genres, together with her own music personality – both featuring the rich artistic tradition of…
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