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1958 Strasbourg
…of the I.S.C.M., its significance is mainly due to the many possibilities it offers to compare individually distinct dodecaphonic composition techniques with each other, and also to compare these with…
Read More1948 Amsterdam, Scheveningen
…that the best goes to ‘the 2nd treatment,’ namely to the international composite jury, which, half a year before The Music Festival of the Year, comes together to make the…
Read More2017 The 6th China – ASEAN Music festival experience summary
…the development of modern music exchanges around the world, has played an important role. The concept diversified development.Singles adhering to the “combination of traditional and modern, nation and the world…
Read More41. Festival NEUE MUSIK LÜNEBURG
…sound enhancements from voice / instrument with the help of electronic media is at the forefront. The listener goes exploring in the fascinating world of current musical creation. Direct contact…
Read MoreMaia Ciobanu: Excessive piano II
…chamber, vocal, electronic and stage music as well as new musical and multimedia genres. Her aesthetic is influenced by the “library” concept of Borges and has profound affinities with Gaudi’s…
Read MoreEliott Delafosse: 1010011010
…Nouvelles conducted by Jean-Paul Dessy (in the frame of Attention Musiques Fraîches), Sturm Und Klang conducted by Thomas Van Haeperen, LAPS and Ensemble Fractales. He recently won the Henri Pousseur…
Read MoreLachlan Skipworth: Clarinet Quintet
(Submitted by ISCM – AUSTRALIAN SECTION) The music of Australian composer Lachlan Skipworth (b. 1982) has been described as featuring ‘bold, innovative textures, and compelling melody’. His vivid musical language…
Read MoreMathias Steinauer: Keyner nit
…in many European countries as well as in Azerbaijan, China, Brazil, the USA, and Japan. Mathias Steinauer currently lives in Ticino, Switzerland. About his opera Keyner nit, the composer writes:…
Read MoreChia-lin Pan: Drifting
…Drifting, is a 2018 composition for solo pipa, the traditional Chinese lute. After many years of focusing the methods on pitches, texture, sound and structure…etc. while composing, in order to…
Read MoreWilliam Blank: Reflecting Black
…pitches, these phenomena are further amplified by the systematic use of micro-intervals, glissandi, tempered quarter tones of the second piano and the multiphonic sounds of certain wind instruments.” https://soundcloud.com/william-blank-3/reflecting-black-i https://soundcloud.com/william-blank-3/reflecting-black-ii-for-piano-and-large-orchestra…
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