1958 Strasbourg

…of the I.S.C.M., its significance is mainly due to the many possibilities it offers to compare individually distinct dodecaphonic composition techniques with each other, and also to compare these with…

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1948 Amsterdam, Scheveningen

…that the best goes to ‘the 2nd treatment,’ namely to the international composite jury, which, half a year before The Music Festival of the Year, comes together to make the…

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41. Festival NEUE MUSIK LÜNEBURG

…sound enhancements from voice / instrument with the help of electronic media is at the forefront. The listener goes exploring in the fascinating world of current musical creation. Direct contact…

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Maia Ciobanu: Excessive piano II

Maia Ciobanu

…chamber, vocal, electronic and stage music as well as new musical and multimedia genres. Her aesthetic is influenced by the “library” concept of Borges and has profound affinities with Gaudi’s…

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Eliott Delafosse: 1010011010

Eliott Delafosse

…Nouvelles conducted by Jean-Paul Dessy (in the frame of Attention Musiques Fraîches), Sturm Und Klang conducted by Thomas Van Haeperen, LAPS and Ensemble Fractales. He recently won the Henri Pousseur…

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Lachlan Skipworth: Clarinet Quintet

Lachlan Skipworth

(Submitted by ISCM – AUSTRALIAN SECTION) The music of Australian composer Lachlan Skipworth (b. 1982) has been described as featuring ‘bold, innovative textures, and compelling melody’. His vivid musical language…

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Mathias Steinauer: Keyner nit

Mathias Steinauer

…in many European countries as well as in Azerbaijan, China, Brazil, the USA, and Japan. Mathias Steinauer currently lives in Ticino, Switzerland.  About his opera Keyner nit, the composer writes:

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Chia-lin Pan: Drifting

Chialin Pan

…Drifting, is a 2018 composition for solo pipa, the traditional Chinese lute. After many years of focusing the methods on pitches, texture, sound and structure…etc. while composing, in order to…

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William Blank: Reflecting Black

William Blank (photo by Eddy Mottaz)

…pitches, these phenomena are further amplified by the systematic use of micro-intervals, glissandi, tempered quarter tones of the second piano and the multiphonic sounds of certain wind instruments.” https://soundcloud.com/william-blank-3/reflecting-black-i https://soundcloud.com/william-blank-3/reflecting-black-ii-for-piano-and-large-orchestra…

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