Posts Tagged ‘female composer’
Bohdana Frolyak: Lux aeterna
Bohdana Frolyak (born 1968 in Vydyniv, Ivano-Frankivsk Oblast, Ukraine) made her first musical steps in her native village under the guidance of Vasyl Kufliuk, a village teacher who gained his musical education in Warsaw. In 1986, she graduated from Solomiya Krushelnytska Lviv Musical School after studying piano, music theory and composition. In 1991, she graduated from Lviv Conservatory as a composer. Her teachers in the academy…
Read MoreJulia Gomelskaya: Jab-Jazz
[Ed. Note: The horrific invasion and war currently being waged on Ukraine has shocked the entire world. The ISCM supports our colleagues in Ukraine and to further call attention to them we will be exclusively featuring music by composers from Ukraine for the rest of this month as part of our ongoing ISCM Virtual Collaborative…
Read MoreLaura Ana Mânzat: Concerto for 3 cellos and orchestra
Laura Ana Mânzat was born on the 24th of April 1969, in the town of Dej, Cluj County, Romania. She studied composition at the ‘’George Enescu’’ Academy of Music Iași, with Vasile Spătărelu as her professor and at the National University of Music Bucharest, with Ulpiu Vlad. She graduated in 1993. After that, she pursued…
Read MoreVeronika Krausas: Unintermezzi
Of Lithuanian heritage, composer Veronika Krausas was born in Australia raised in Canada, and lives in Los Angeles. She has directed, composed for, and produced multi-media events that incorporate her works with dance, acrobatics and video. Commissions and performances include the Los Angeles Philharmonic, The Industry, New York City Opera, Tanglewood Contemporary Music Festival, Detroit…
Read MoreSzu-Hsien Lee: Dialogue II: Mirage
Szu-Hsien LEE received her Bachelor of Music Art in Piano Performance from National Taiwan Normal University, Master of Art in Music Composition from National Chiao-Tung University, and Ph. D. in Music Composition and Theory from University of California, Los Angeles. She is currently Associate Professor at National Sun Yat-sen University in Kaohsiung, Taiwan. Dr. Lee…
Read MoreIsidora Žebeljan: The Horses of Saint Mark
Isidora Žebeljan (1967–2020) remains one of the most prominent and most performed Serbian composers on the international music scene. She wrote about 100 compositions, including five operas, all commissioned by the music festivals and institutions from abroad. She was the first and only Serbian composer who composed music for the Foundation of the Berliner Philharmoniker, La…
Read MoreYa-Ting Lee: Vigil (2015)
Ya-Ting Lee’s compositions have been performed in numerous cities of Taiwan, Czech Republic, Finland, and United States, and also by several distinguished ensembles including National Taiwan Symphony Orchestra, Eastman Percussion Ensemble, Taipei Percussion Ensemble, University of Central Missouri Percussion Ensemble, and Red Fish and Blue Fish Percussion Ensemble. Ms. Lee is the winner of 2005 Young…
Read MoreAntonia Barnett-McIntosh: Wild Fabrics–you couldn’t really tell
Antonia Barnett-McIntosh is a composer, performer, sound artist, and editor. Her works incorporate slippage and forced failure, improvisation and the live space, and investigate speech as music: the pitches, rhythms, conversational overlaps of our everyday. In juxtaposing the formalities of presentation and the aesthetics of failure, she gently taps on the borders between performance and…
Read MoreBethan Morgan-Williams: Gêmdis
Bethan Morgan-Williams (b. 1992) is a composer who writes quirky, rhythmically-intricate music. Describedas “marvellously oblique and obscure” [5against4] while being “rooted in something ancient and folky” [The Telegraph],Bethan’s music finds motivation in the apogee of musical performance. With composer-performer collaborations a keypart of Bethan’s practice, each piece is written according to the characters of those…
Read MoreMalika Kishino: Concerto for Koto
Malika Kishino, born in Kyoto in 1971, studied Law in Kyoto (diploma in 1994). She came to France in 1995, where she studied composition with Yoshihisa Taira (École Normale de Musique, Paris), Robert Pascal (Conservatoire National Supérieur Musique et Danse, Lyon) and Philippe Leroux (IRCAM, Paris). She has received grants from the major studios for…
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