Posts Tagged ‘electronic music’
Evelyn Celeste Frosini: Samoa
Evelyn Celeste Frosini (b. 1983) is a composer and sound designer. She studied Composition at the National University of Arts (UNA) and Sound Design at the National School of Cinematographic Experimentation and Direction (ENERC) in Buenos Aires, Argentina. Currently, she is a professor, Co-Director of the DaMus Electroacoustic Ensemble in the National University of the…
Read MoreElizabeth Anderson: Solar Winds
The artistic production of Belgian composer Elizabeth Anderson (b. 1960) comprises acousmatic, mixed, and radiophonic works as well as works for multimedia and sound installations, and has been performed in international venues for over thirty years. It is the fascination with space, whether on the scale of the universe (macrocosm) or cellular life (microcosm), and…
Read MoreAnnette Schmucki: Hirsch Hirn Hornisse
Annette Schmucki (b. 1968 in Zurich) works with language as music. She studied composition with Cornelius Schwehr and Mathias Spahlinger, and has received numerous prizes and scholarships. She currently deals with durations and encounters of projected words, and with translations of telephone conversations and catenary histories. In addition to her solitary activity as a composer,…
Read MoreAlejandra Odgers: La paix – le voyage
Alejandra Odgers is a Mexican-Canadian composer of over fifty works, including a dozen for orchestra. Her compositions have been played by several orchestras in Mexico (OSN, OFCM, OSX, OSCCH, OSIPN, etc.), the Orchestra of North University (Paraguay), Montreal’s University Orchestra, Chamber Orchestra MUSAIC (Manitoba), the Orchestre symphonique de Longueuil and the Orchestre Métropolitain (Montreal), the…
Read MoreWalter Sallinen: Angelus Novus
(Submitted by ISCM – FINNISH SECTION) Walter Sallinen (b. 1991) is a Helsinki-based composer and sound artist. Sallinen’s artistic practice explores the potential of interdisciplinarity both as a compositional tool and as a key for unforeseen collaborative concepts. Angelus Novus is the last part from Sallinen’s sound ritual UXO (2019), an electroacoustic piece for 4…
Read MoreKarin Wetzel: Glass Body
(Submitted by ISCM – SWISS SECTION) The compositional output of Karin Wetzel (b. 1981) encompasses works for solo instrument, ensemble, orchestra, electroacoustic works, live-electronics, and installations. As a part of her artistic-scientific research project about poly-works, Karin has created several work series over the last years, exploring the possibilities of simultaneity and dividual performance practices.…
Read MoreSachie Kobayashi: Les cieux roulent des yeux
(Submitted by ISCM – SWISS SECTION) Sachie Kobayashi (b. 1990) now takes an interest in more intuitive creation and musical expression related to social phenomena. She started her career as a composer while complementing her research as her second master in education of music theory at Haute école de musique de Genève after completing her…
Read MoreAbril Padilla: Grimja
(Submitted by ISCM – SWISS SECTION) Abril Padilla is a Buenos Aires-born composer and sound artist who has been living in Basel since 2006. Her compositions are mainly electroacoustic and radiophonic, but she also writes for instrumental ensembles. Her creation Emulsion d’air (2019) with the ensemble Contrechamps was supported by the Nicati-de-Luze Foundation and recorded…
Read MoreFranz Martin Olbrisch: Schichtwechsel
Franz Martin Olbrisch (born November 5, 1952 in Mülheim / Ruhr) is a German composer and installation and media artist. From 1979 to 1985, he studied composition and music theory with Frank Michael Beyer at the University of the Arts in Berlin. From 1986 to 1996 he taught music theory at the Church Music School…
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